1976
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Hace 1 día · Edward Dmytryk, a journeyman B-movie director best known for the noirs Crossfire and Murder, My Sweet, doesn’t seem like a natural fit for a film version of Caine. But he does a workmanlike job navigating both the epic and intimate scales that the story requires.
Hace 1 día · Dmytryk was an American by way of British Columbia, a Hollywood journeyman who worked his way through the business from the bottom up — as messenger, then projectionist, and onto editor. He served in the latter capacity for Leo McCarey multiple times, including on pictures such as “Duck Soup” (1933), “Six of a Kind” (1934), and “Ruggles of Red Gap” (1935).
Hace 1 día · The now-declassified and decrypted Venona messages offer much to learn from, notably in the context of how Soviet espionage was so prolific. The discussion surrounding the Venona Project will focus on what the U.S. gained from deciphering the Soviet messages, who was susceptible to Soviet recruitment, how these spies maintained highly sensitive ...
Hace 1 día · L'Obsédé (Obsession / The Hidden Room), de Edward Dmytryk (1949) Moondog and His Friends, de Moondog (1953) La Folle Mission du docteur Schaeffer (The President's Analyst), de Theodore J. Flicker (1967) Lily aime-moi, de Maurice Dugowson (1975) Graphic Sexual Horror, de Barbara Bell et Anna Lorentzon (2009) Darkon, de Luke Meyer et Andrew ...
Hace 2 días · The Reluctant Saint (1962) Edward Dmytryk, Maximilian Schell, Ricardo Montalban, Lea Padovani May 22, 2022; Kung Fu Cult Master AKA Yi tin to lung gei: Moh gaau gaau jue (1993) Jing Wong, Sammo Kam-Bo Hung, Jet Li, Man Cheung, Chingmy Yau September 10, 2022
Hace 5 días · The Carpetbaggers (Edward Dmytryk) The Brig (Jonas Mekas) Palm Springs Weekend (Norman Taurog) Youngblood Hawke ( Delmer Davis) Faucets (Marie Menken) Dr No (Terence Young) From Russia With Love (Terence Young) Goldfinger (Guy Hamilton) Andy Warhol loved movies, citing 'The Creation of the Humanoids', 'Kitten With A Whip' and several James Bond ...
Hace 2 días · The British New Wave, spanning from 1959 to 1963, brought a fresh, authentic perspective to British cinema, moving away from the overly stylised and escapist films that previously dominated the scene.
