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Hace 1 día · Choreographer George Balanchine 's production of Petipa and Tchaikovsky 's 1892 ballet The Nutcracker is a broadly popular version of the ballet often performed in the United States. Conceived for the New York City Ballet, its premiere took place on February 2, 1954, at City Center, New York, with costumes by Karinska, sets by Horace Armistead ...
Hace 1 día · For “Square Dance,” Balanchine used music from the Italian Baroque era by Corelli and Vivaldi. It is Robbins, curiously, who stays closest to his music’s original scenario (closer, for example, than did Kenneth MacMillan in his 1975 Royal Ballet version of the Verdi ballet music), with the god Janus introducing the seasons of the year.
Hace 3 días · The Seven Deadly Sins premiered in the Théâtre des Champs-Élysées in Paris on 7 June 1933. [4] It was produced, directed and choreographed by George Balanchine with mise en scène by Caspar Neher. The lead roles were played by Lotte Lenya (Anna I) and Tilly Losch (Anna II). [3]
Hace 3 días · George Balanchine, artistic director and co-founder of the New York City Ballet, had previously performed in the Mariinsky Theater’s production The Nutcracker and had helped...
22 de jul. de 2024 · Before that time, Clifford was a principal dancer and a choreographer (8 ballets before age 26) with George Balanchine ’s New York City Ballet (1966–74). Balanchine invited him back as a guest artist numerous times, and his last performances with the company were in 1980.
Hace 5 días · Date. 26 July 2024. Reviewer. Graham Watts. This was the fifteenth anniversary of Ballet Under the Stars at Hatch House, set in the heart of the Wiltshire countryside with enchanting views across the Vale of Wardour. It sounds a little Middle Earth and, with the rain staying away, this sultry evening approached a Tolkienesque realm of reverie.
Hace 2 días · NYCB opened with George Balanchine’s Duo Concertant, danced by Megan Fairchild and Anthony Huxley, and accompanied by Sean Lee on violin and Elaine Chelton on piano. The neoclassical piece has moments when the dancers are still and simply take in the music, giving a sense of honor to the musicians with their stillness.
