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Hace 4 días · Ignaz Moscheles (born May 23, 1794, Prague, Bohemia, Austrian Habsburg domain [now in Czech Republic]—died March 10, 1870, Leipzig [Germany]) was a Czech pianist, one of the outstanding virtuosos of his era. Moscheles studied at the Prague Conservatory and later at Vienna under Johann Georg Albrechtsberger and Antonio Salieri.
- The Editors of Encyclopaedia Britannica
Hace 6 horas · And so it came about, that on today’s date in 1826, the American premiere of Mozart’s Don Giovanni was given in New York City, with García in the title role, in the presence of the man who had penned the opera’s libretto almost forty years earlier, a 77-year-old American citizen named Lorenzo da Ponte.
Hace 3 días · Provided to YouTube by Naxos Digital ServicesII. Adagio · Michael Ponti · Philharmonia Hungarica · Othmar MágaThe Romantic Piano Concerto Anthology. Volume 1...
- 5 min
- Michael Ponti - Topic
Hace 5 días · Unter den staunenden Gästen der Klaviervirtuose Ignaz Moscheles: Der fünfzehnjährige Felix ist eine Erscheinung, wie es keine mehr gibt! Was sind alle Wunderkinder neben ihm? Sie sind eben Wunderkinder und sonst nichts; dieser Felix Mendelssohn ist ein reifer Künstler...
Hace 8 horas · Ignaz Moscheles: Piano Concerto No. 4 in E 'British Grenadiers' (1823) Aaron Copland: El Salón México (1936) Robert Schumann: Overture to Byron's 'Manfred' (1849) Roger Quilter: Three English Dances (1910) Scott Joplin: The Cascades (1904) Scott Joplin: The Easy Winners (1901) Johann Sebastian Bach: Brandenburg Concerto No. 4 (1720)
Hace 4 días · Other renowned Conservatory members included, among others, Gewandhaus concertmaster Ferdinand David (1810 - 1873), pianist Ignaz Moscheles (1794 - 1870), and composers Robert Schumann (1810 - 1856), Niels W. Gade (1817 - 1890) and Carl Reinecke (1824 - 1910).
Hace 3 días · On the program are Joseph Haydn's “Londoner” Trio No.1 C Hb. IV/1, Clara Schumann's Drei Romanzen, Op.22, Antonín Dvořák's Silent Woods for cello and piano, J. S Bach's Trio Sonata in C minor from “Musikalischen Opfer” BWV 1079 and Robert Schumann's Drei Romanzen, Op. 94. The concert concludes with Ignaz Moscheles's Concertante in F.
