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Hace 1 día · “There was Three on a Match. They gave me three unknown girls in that one – Joan Blondell, Bette Davis, and Ann Dvorak. I made a mistake when the picture was finished. I told an interviewer that Joan Blondell was going to be a big star, that Ann Dvorak had definite possibilities, but that I didn’t think Bette Davis would make it.
Hace 4 días · Δ. Un siglo de rentable unión entre moda y cine Sea por la química entre actrices y creadores o por el mutuo interés de directores y marcas, la historia entre la pantalla y el diseño tiene mucho de relación de conveniencia y de pasión correspondida Rafa Rodríguez El País - Madrid 19 MAR 2019 - 20:00….
Hace 20 horas · Fabulous Faces of Classic Hollywood by Robert Dance and Simon Crocker, designed by Louis Brody, is a stunning book featuring portrait photographs of numerous icons from Hollywood’s Golden Age…
Hace 20 horas · This was Blondell’s last starring part, tellingly for Republic studios. She would be third billed in Cry-Havoc in 43 and then would return in ’45, in one of her greatest performances as Aunt Sissy in A Tree Grows in Brooklyn, but now firmly ensconced as a supporting actress, a category through which she would grace us for the rest of a talent with her unmatched warmth and talent.
Hace 1 día · Joan Blondell recalled that the change was made when Cagney decided the omelette wouldn't work. Cagney himself usually cited the writers' version, but the fruit's victim, Clarke, agreed that it was Wellman's idea, saying, "I'm sorry I ever agreed to do the grapefruit bit. I never dreamed it would be shown in the movie.
Hace 20 horas · My shadowy pick for the month is Criss Cross (1949), airing on July 14th, and my satiny pick is Red-Headed Woman (1932). Both of these are staples on my Top 10 pre-Code and film noir lists. If you haven’t seen them, treat yourself and tune in. And if you’re already familiar with them, there’s no time like July for a rewatch!
Hace 20 horas · In 1940, Turner appeared in her first musical film, Two Girls on Broadway, in which she received top billing over established co-stars Joan Blondell and George Murphy. A remake of The Broadway Melody, the film was marketed as featuring Turner's "hottest, most daring role".
