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  1. Hace 3 días · Adjusting environmental art to match local architecture, flora, and fauna. Reworking user interface elements to accommodate different languages and reading directions. Modifying color schemes to align with local color symbolism. Adapting marketing materials and promotional art for different regions.

  2. Hace 5 días · A new mural called “Threads Woven” has dramatically changed San Pedro Square. The brainchild of the San Jose Downtown Association and arts nonprofit Local Color, the mural was funded through the Adobe Hometown Grant.

  3. Hace 1 día · Betty Bangs, una reconocida artista local, lidera la junta del Chicano Park Steering Committee y encabeza los esfuerzos para darle vida y color al área de Hillcrest en este mes dedicado a la ...

    • 2 min
    • NBCNews.com
  4. Hace 6 días · What you could do to make this work would be to duplicate the timeline, leave one in Local, put the other in Local, then use ColorTrace to copy all the individual grades from Local to Remote. (That's if I understand the question.)

  5. Hace 4 días · An easier solution would be to simply put those table values into Color3.fromRBG(), directly in the table: local BrightColour = {Color3.fromRGB(170, 150, 85)} That way you can simply access the colors by doing BrightColor[1]. Hope this helps!

  6. Hace 5 días · A new mural called “Threads Woven” has dramatically changed San Pedro Square. The brainchild of the San Jose Downtown Association and arts nonprofit Local Color, the mural was funded through the Adobe Hometown Grant.

  7. Hace 4 días · Hi Sam, 1) and 2) You can always switch between local and remote grades (right click on any clip in the timeline. in the color room and choose "use local grades" or "use remote grades"). It will apply to all clips in the timeline, you'll see a (R) in the down right corner of the thumbnails.

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