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  1. Hace 5 días · This paper disagrees; it argues that Wittgensteins remarks on semantic paradoxes suggest an account of the Liar and its kin that is not only of historical interest but also represents a hitherto unnoticed paraconsistent alternative to established approaches to the Liar.

  2. Hace 3 días · Un inicio proposicional, muy célebre, es el que encontramos en el Tratado lógico filosófico (1918), de Ludwig Wittgenstein: “El mundo es todo lo que acaece”. Y desde un horizonte temático distinto, en la primera idea de la Teoría estética (1970) de Theodore Adorno, podemos leer: “Ha llegado a ser evidente respecto al arte que nada es evidente”.

  3. Hace 1 día · Ludwig Wittgenstein vs. Gottlob Frege: Between Logic and Language#philosophers #ludwigwittgenstein #FregeHow and why did Wittgenstein’s early philosophy con...

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  4. Hace 5 días · From about 1910 to 1930, analytic philosophers like Frege, Russell, Moore, and Russell's student Ludwig Wittgenstein emphasized creating an ideal language for philosophical analysis, which would be free from the ambiguities of ordinary language that, in their opinion, often made philosophy invalid.

  5. Hace 3 días · According to Ludwig Wittgenstein’s biographer, Norman Malcolm, Wittgenstein once said ‘A serious and good philosophical work could be written consisting entirely of jokes.’ [2] Satire, a literary form that uses humorous fiction to argue against some flavor of political philosophy was unlikely to have been what Wittgenstein was referring to.

  6. Hace 4 días · Wittgenstein jamás acuñó ese concepto. Sgobba se sumergió en The Ludwig Wittgenstein Project, un archivo online con todos los textos de Wittgenstein en muchas lenguas, sin encontrar huella de las “palabras-cadáveres”. Luego en Los cuadernos azul y marrón, en las Investigaciones filosóficas, y nada.

  7. Hace 1 día · The year 1922 has been known as the annus mirabilis (“miracle year”) of Anglo-American literary modernism, chiefly because of the near-simultaneous publication of T.S. Eliot’s “The Waste Land,” James Joyce’s Ulysses, and Virginia Woolf’s Jacob’s Room. The distinctive historical character of 1922 remains an ongoing concern: the ...

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