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Hace 2 días · Now recognized as a major talent, Altman notched critical successes with McCabe & Mrs. Miller (1971), a revisionist Western in which the mordant songs of Leonard Cohen underscore a gritty vision of the American frontier; Images, his single, Bergman-inspired attempt at making a horror film; The Long Goodbye (1973), a controversial ...
Hace 1 día · McCabe and Mrs. Miller is directed by Robert Altman, who defies audiences’ expectations at every gloomy turn by throwing the most jarring twists at them.
Hace 4 días · The 1970s marked a second golden period for the American western. Many of the finest entries in the genre were rather unconventional, like Arthur Penn’s Little Big Man (1970) and The Missouri Breaks (1976), Ralph Nelson’s Soldier Blue (1970) and Robert Altman’s McCabe and Mrs Miller (1971).
Hace 2 días · Beatty made his acting debut in Splendor in the Grass (1961) followed by Bonnie and Clyde (1967), McCabe & Mrs. Miller (1971), and Shampoo (1975). He also directed and starred in Heaven Can Wait (1978), Reds (1981), Dick Tracy (1990), Bugsy (1991), Bulworth (1998), and Rules Don't Apply (2016), all of which he also produced.
Hace 5 días · But it’s a director he hasn’t worked with who film The Dead Don’t Hurt might most remind viewers of: Robert Altman’s revisionist Western McCabe and Mrs. Miller. Audiences looking for a similarly gentle, more romantic and cerebral Western will be amply rewarded with Mortensen’s fine entry into this singular genre.
Hace 2 días · Viggo Mortensen as Holger Olsen in “The Dead Don’t Hurt.” (Marcel Zyskind/The Shout Factory) “ The Dead Don’t Hurt ” (R, 129 minutes, in theaters), written and directed by Viggo Mortensen, defies expectations. It’s a Western, and it’s populated by characters typical of the genre: the silent hero, the virtuous love interest, the ...
Hace 4 días · This movie and all the other ones I’ve made are about a true desire to explore life all around us. I learned it from McCabe & Mrs. Miller, it’s Altman’s philosophy, and that makes that movie a beautiful study of that environment and that community. O’CONNOR: Yeah. I felt it really adds to the mosaic feeling of the film.
