Resultado de búsqueda
Hace 3 días · The Wizard of Oz is a 1939 American musical fantasy film produced by Metro-Goldwyn-Mayer (MGM). An adaptation of L. Frank Baum 's 1900 children's fantasy novel The Wonderful Wizard of Oz, it was primarily directed by Victor Fleming, who left production to take over the troubled Gone with the Wind.
Hace 2 días · POR EDGAR DEL VALLE. Película dirigida George Cukor, en la cual Crawford, comparte créditos con Norma Shearer y Rosalind Russel ¡Puro poder femenino! Una comedia sofisticada, muy propia de la época, que desarrolla los problemas maritales de unas mujeres de la clase alta a partir de la infidelidad del marido de una de ellas.
Hace 2 días · Directed by John Ford and Mervyn LeRoy Image via Warner Bros. Mister Roberts is based on the 1946 novel of the same name, previously adapted into a play in 1948.
Hace 5 horas · When Mervyn LeRoy offered Fontaine a personal contract, her mother told her that Warner Bros. was "Olivia's studio" and that she could not use the family name of de Havilland. In 1942, de Havilland and Fontaine were both nominated for an Academy Award for Best Actress—de Havilland for Hold Back the Dawn and Fontaine for Suspicion.
Hace 1 día · ve melodramática de Annette Kellerman, niña australiana afectada por la polio convertida en campeona de natación sincronizada. La firme dirección de Mervyn LeRoy y las coreografías de Busby Berkeley y Audrene Brier hacen que el filme sea considerado por muchos como el mejor de Williams. 1.30 La Sexta ★★ EE.UU.-China. 2018.
Hace 1 día · Rather, he’s just being a kid. 12. Mickey Rooney – Boys Town (1938) The most shocking thing about Mickey Rooney isn’t that he was the first teenager to get an Academy Award nomination when he earned a Best Actor nod for 1939’s Babes in Arms. It’s that he was, at age 19 at the time, already an industry vet.
Hace 4 días · Shawn Glinis. Jul 05, 2024. The most famous quote about Tblisi-born filmmaker Rouben Mamoulian, a name not often thrown around in contemporary cinephilia, is a bittersweet one. It comes from Andrew Sarris’ seminal book, The American Cinema, where the critic called him “an innovator who ran out of innovations” and placed him in his ...
