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  1. Hace 2 días · Roberto Devereux en Ginebra. Mayo 31, 2024. La Ópera de Ginebra presentó Roberto Devereux (1837) de Gaetano Donizetti (1797-1848), tercera y última obra de la llamada “trilogía Tudor” que se inicia con Anna Bolena (1830) y Maria Stuarda (1835), producidas recientemente por el coliseo suizo. El libreto relata —en forma más dramática ...

  2. Hace 2 días · They failed, however, to repay his debt to the queen, and she seized the manor of Wanstead, retaining it until 1593, when she released it to Robert Devereux, earl of Essex, in exchange for other manors.

  3. Hace 2 días · Le livret raconte sous une forme plus dramatique que respectueuse de l’histoire officielle, les derniers moments du règne d’Élisabeth Ire d’Angleterre (1533-1603) et, en particulier, la fin sanglante de son favori (son amant dans l’opéra) Robert Devereux, comte de Sussex (1565-1601) qu’elle fit exécuter, l’accusant de trahison.

  4. Hace 5 días · Devereux Court, into which we now pass, is famous as having been the locale of two of the most celebrated coffee-houses—"Tom's" and the "Grecian." It takes its name from Robert Devereux, Earl of Essex, the Parliamentary general, who was born in Essex House (part of which stood upon this spot), and of whom we shall have more to say ...

  5. Hace 3 días · The most striking and prominent personality of the latter half of Elizabeth's reign was Robert Devereux, Earl of Essex. He stepped into the position in the Queen's favour occupied till his death by Leicester; whom he seems to have resembled in possessing an attractive appearance and the gift of courtier-like flattery.

  6. Hace 3 días · The son of Thomas West, the 11th Baron (c. 1556–1602), the younger West fought in the Netherlands and in Ireland under Robert Devereux, 2nd Earl of Essex. He was imprisoned for complicity in Essex’s revolt against Elizabeth I (1601) but was soon released.

  7. Hace 3 días · Regisseurin Mariame Clément vollendet in Genf ihre Tudor-Trilogie mit Roberto Devereux: eine Geschichte über Vergänglichkeit, Macht, Liebe und Einsamkeit, die Elsa Dreisig als weibliche Hauptpartie glaubhaft zum Leben erweckt. Von Michael Stallknecht