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Hace 3 días · Nicholas Roerich. The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
Hace 4 días · His company included a spectrum of bodies that presented a range of dance—from 20th century classics by Vaslav Nijinsky and Kurt Jooss to the topical pieces of his co-founder Gerald Arpino to Frederic Ashton, Twyla Tharp, and William Forsythe’s new ballet choreography.
Hace 22 horas · Through the Ballets Russes and Diaghilev, Stravinsky worked with figures like Vaslav Nijinsky, Léonide Massine, Alexandre Benois, Michel Fokine, and Léon Bakst. The composer's interest in art propelled him to develop a strong relationship with Picasso, whom he met in 1917.
Hace 5 días · The ballet, performed by Diaghilev’s Ballets Russes and was equally scandalously choreographed by Vaslav Nijinsky. Premiering at the Theatre du Champs-Élysées in Paris on 29 May 1913 as mentioned earlier, it caused a riot. Not by the common folk (as sometimes erroneously claimed) but by the “toffs”.
Hace 5 días · El 29 de mayo de 1913, se estrenó en el Teatro de los Campos Elíseos de París una de las obras más revolucionarias y controvertidas de la historia de la música: «La consagración de la primavera» de Igor Stravinsky, con coreografía de Vaslav Nijinsky. Este estreno no dejó a nadie indiferente.
Hace 3 días · Viewing theater as a total artwork in which choreography, music, costumes and sets were of equal importance, Léon Bakst worked closely with artists such as Serge Diaghilev, Vaslav Nijinsky, Jean Cocteau, Ida Rubinstein and Igor Stravinsky, transforming the perception of ballet.
Hace 3 días · This way of viewing metropolitan movement repeatedly paralleled the writers’ experiences of watching early modern dance performances by Loïe Fuller, Ruth St. Denis, and Vaslav Nijinsky, whose experimental styles broke away from balletic form.
