Resultado de búsqueda
Hace 3 días · Vittorio de Sica’s 1948 film, The Bicycle Thief, poignantly examines morality within a hopeless socio-economic landscape. By imbuing a seemingly trivial bicycle with symbolic value, De Sica transforms it into a representation of hope, highlighting how easily it can be lost due to uncontrollable circumstances.
Hace 6 días · Neorealism, made famous by the Italian directors Robert Rossellini, Vittorio De Sica and Luchino Visconti, focuses on the everyday lives of ordinary people, and Jia’s take on the genre explores the effects of modernisation and globalisation in his native China, whilst largely adhering to the neorealist principles of filmmaking, if ...
Hace 6 días · Una generación inspirada en una lectura frontal de la nueva realidad que nacía de las cenizas de la guerra, así como por un profundo deseo de liberar al cine italiano de los viejos y...
Hace 2 días · He also acknowledged Vittorio De Sica, whom he thought represented Italian Neorealism best, and taught him the cramming of cinematic details into a single shot, and using amateur actors and actresses.
Hace 2 días · If Special Awards are taken into account, then Fellini's record is tied by his countryman Vittorio De Sica. The Soviet epic War and Peace (1966–67), for its part, is the longest motion picture to have won the Best Foreign Language Film Award.
Hace 1 día · La ciociara, film di Vittorio De Sica; Il gattopardo, film di Luchino Visconti; L’ultima vendetta, film di Robert Lorenz; Titanus 120° Classics; Fuga in Normandia (The Great Escaper), di Oliver Parker; La sestina dei finalisti alla LXXVIII edizione del Premio Strega; Riti in età imperiale: nuovi reperti da un pozzo, di fronte al tempio di ...
Hace 3 días · A big hit was the comedy Pane, amore e...../Scandal in Sorrento (Dino Risi, 1955) in which she co-starred with Sophia Loren and Vittorio De Sica. In the 1950s, Padovani also took part in several TV dramas, including Piccole done (Anton Giulio Majano, 1955), Il romanzo di un giovane povero (Silverio Blasi, 1957) and Ottocento (Anton Giulio Majano, 1959-1960).
