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  1. en.wikipedia.org › wiki › Nicholas_IINicholas II - Wikipedia

    Hace 2 días · That evening, Nicholas was consecrated by his father's priest as Tsar Nicholas II and, the following day, Alix was received into the Russian Orthodox Church, taking the name Alexandra Feodorovna with the title of Grand Duchess and the style of Imperial Highness.

  2. Hace 6 días · Empress Alexandra Feodorovna, the wife of Nicholas II, told her husband (who was facing discontent in the State Duma in 1916) that in dealing with his enemies he should be more like "Peter the Great, Ivan the Terrible, Emperor Paul—crush them under you".

  3. en.wikipedia.org › wiki › Wilhelm_IIWilhelm II - Wikipedia

    Hace 3 días · Wilhelm II [b] (Friedrich Wilhelm Viktor Albert; 27 January 1859 – 4 June 1941) was the last German Emperor and King of Prussia from 1888 until his abdication in 1918, which marked the end of the German Empire and the House of Hohenzollern 's 300-year reign in Prussia and 500-year reign in Brandenburg . Born during the reign of his granduncle ...

  4. Hace 4 días · Royal Guests and Relatives from around Europe gathered in Hanau to celebrate the Wedding, including Queen Louise of Denmark (wearing her Pearl and Diamond Tiara), Empress Maria Feodorovna of Russia (wearing her Sapphire Tiara) and the Princess of Wales (in her Diamond Star Tiara), Crown Prince Frederik and Prince Valdemar of Denmark, Grand Duchess Elizabeth Feodorovna, Grand Duchess Xenia ...

  5. Hace 5 días · Romanovs & Revolution – NettyRoyal. 1917. Romanovs & Revolution. This month, February 2017, it is 100 years ago the February Revolution broke out that led to the end of the monarchy in Russia. On this occasion from 4 February to 17 September 2017 the Hermitage Amsterdam, The Netherlands, organises the exhibition “1917. Romanovs & Revolution”.

  6. Elizabeth Feodorovna & Sergei Alexandrovich of Russia, 1884 Photo post ... Actress Elizabeth Taylor with her mother Sara Sothern, 1947. 2.

  7. Hace 4 días · Thomas Betteridge, best known for his literary scholarship, concludes the book by surveying ‘Elizabeth I on film’ in typically lucid fashion, but the collection mostly focuses on the origins of the myth, in Elizabeth’s reign, and its afterlife especially in the first half of the seventeenth century.