Resultado de búsqueda
Hace 2 días · 30/06/24 6:05 PM. ( CNA/InfoCatólica) Desde hace 500 años, el Vaticano celebra por todo lo alto la solemnidad de San Pedro y San Pablo con un impresonante espectáculo de fuegos artificiales inspirado en Miguel Ángel y Gian Lorenzo Bernini. Aunque muchos asocian los fuegos artificiales con el 4 de julio, el Vaticano ya celebraba esta semana ...
Hace 2 días · La atracción más significativa de la iglesia es, sin duda, la Capilla Cornaro, hogar de la obra maestra escultórica de Gian Lorenzo Bernini, el “Éxtasis de Santa Teresa”. Esta obra, creada entre 1644 y 1652 para el cardenal veneciano Federico Cornaro, captura el espíritu artístico del barroco.
Hace 1 día · Her ambiguously otherworldly verging on melancholy Saint Teresa of Avila, Mystic Spouse of Christ (1672) can be compared to the euphoric mysticism of Gian Lorenzo Bernini’s Ecstasy of Saint Teresa (1652), and raises the question of distinctive approaches of men and women artists to the same topic.
Hace 5 días · This statue is part of Gian Lorenzo Bernini’s “The Ecstasy of Saint Teresa.” It is located in the Cornaro Chapel of Santa Maria della Vittoria in Rome. The sculpture depicts Saint Teresa of Ávila in a moment of religious ecstasy, pierced by an angel’s arrow, as described in her spiritual writings.
Hace 4 días · Artista: Gian Lorenzo Bernini; Dove: Roma, Piazza San Pietro; Indirizzo: Piazza San Pietro
Hace 1 día · Encompassing Saint Peter’s Square are two colonnades which were designed by Bernini to symbolize the embracing maternal arms of the Catholic Church. The colonnades are comprised of four rows of columns, each column with 1.5 meters in diameter and 20 meters high.
Hace 2 días · St. Peter's Square, Rome, by Gian Lorenzo Bernini, 1656–1667 Santa Maria della Pace, Rome, by Pietro da Cortona , 1656–1667 [30] The first building in Rome to have a Baroque façade was the Church of the Gesù in 1584; it was plain by later Baroque standards, but marked a break with the traditional Renaissance façades that preceded it.
