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Hace 3 días · We are playing John Cage's ‘4'33’, i.e. four and a half minutes of composed silence, attacca with Ligeti's ‘Atmosphères’ and a large Bach arrangement. I want to get away from our expectations of this music, which probably have nothing at all to do with how people heard it in Bach's time or how we could be moved by it if we leave out all the filters.
Hace 4 días · Abstract. This article introduces Visibilis 433, an audiovisual installation piece inspired by and conceived as an homage to John Cage’s legendary 4′33″. The piece utilizes practically inaudible components of the ambient sound in the gallery to present an audible artificial soundscape and an accompanying virtual landscape in real time, aiming to reinterpret Cage’s original intentions ...
Hace 5 días · What does nothing sound like? An offbeat history of John Cage’s 4’33”, a musical composition of blank bars, illustrated by Caldecott Medalist Chris Raschka.One night in 1952, master pianist David Tudor took the stage in a barnlike concert hall called the Maverick. A packed audience waited with bated breath for him to start playing.
I really like the first 15 seconds of John Cage’s 4’33’’. Can you recommend me something based on that? Weird request, I know, but I don’t have time to listen to the entire work.
Hace 1 día · Daily Listening Assignments ~ June 6, 2024. What can I say about John Cage’s 4′33″? Pretty much anyone can play this anytime. It consists of the pianist going to the piano, and not hitting any keys for four minutes and thirty-three seconds. (He uses a stopwatch to time this.) In other words, the entire piece consists of silence or rests.
Hace 3 días · The Answer for Noted feature of John Cage’s “4’33″” Crossword Clue is: Post navigation. ← Jazz score symbol WP Crossword Clue Wall flower, perhaps WP Crossword Clue →. This webpage will help you to find Noted feature of John Cage's "4'33"" crossword answers. If you are stuck, just find Noted feature of John Cage's "4'33 ...
Hace 4 días · John Cage dedicò parte della propria carriera all’indagare il concetto di silenzio e di rumore. Famosissima la sua provocatoria non-composizione dal titolo 4’33” a cui gli spettatori avranno la fortuna di assistere e di farne parte attiva, che ha creato grande scandalo fin dalla sua prima esecuzione: il musicista è sul palcoscenico con il suo strumento, ma non suona nulla.
