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Hace 5 días · Museo Novecento is pleased to announce the project Louise Bourgeois in Florence, which will open to the public from 22 June to 20 October 2024. Two exceptional exhibitions – the first one at Museo Novecento Do Not Abandon Me and the other at Museo degli Innocenti Cell XVIII (Portrait).
Louise Bourgeois à Rome, une première historique. Dans la capitale, une vingtaine d'œuvres sculpturales sont à découvrir, jusqu’au 15 septembre 2024, dans deux cadres d’exception, ...
Hace 2 días · Bourgeois appropriates the traditional iconography of the Christian martyr to evoke her personal suffering. “Sainte Sébastienne is a self-portrait,” she asserted. Louise Bourgeois’ two works are presented in the Reading Room. Rearranged in 2022 by Kim Jones and Silvia Venturini Fendi, the salon will be exceptionally accessible to the public.
Hace 5 días · In concomitanza con il decimo anniversario dalla sua apertura, il Museo Novecento celebra dunque Louise Bourgeois, una delle protagoniste assolute dell’arte del XX e XXI secolo, con la mostra Do Not Abandon Me curata da Philip Larratt-Smith e Sergio Risaliti in collaborazione con The Easton Foundation.
Hace 3 días · UNCONSCIOUS MEMORIES: de 21 de junho a 15 de setembro . Louise Bourgeois: Unconscious Memories é a primeira exposição dedicada a uma artista mulher contemporânea na Galleria Borghese, e a primeira exposição em Roma do trabalho da artista franco-americana, que foi uma das mais influentes artistas do século passado. . Concebida por Cloé Perrone e curada com Geraldine Leardi e Philip ...
Hace 1 día · Una grande mostra mette in dialogo sculture ed istallazioni di Louise Bourgeois con l’importante collezione della Galleria Borghese. Alla Galleria Borghese è stata inaugurata la mostra dedicata all’artista franco-americana Louise Bourgeois (1910-2010): L’inconscio della Memoria (Unconsciuos Memories). Si tratta di una della artiste più ...
Hace 4 días · In Bourgeois’s figures, one can recognize limbs, organs, and organic formations that fuse with the inorganic materiality of the medium, be it marble, resin, wood, or bronze. In fact, the choice of a specific material was something completely intuitive for the artist: “The medium is always a matter of makeshift solutions.
