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Hace 2 días · Courtesy of Dior. Instead of doom scrolling through Instagram and TikTok like the rest of us, Maria Grazia had been getting stuck into the history of Mary Stuart – or as she’s better known, Mary, Queen of Scots – ahead of the 2025 Cruise show, which is why she ended up basing her entire collection on the legendary monarch and OG boss bitch.
The starting point was the latest book by author and historian Clare Hunter, who wrote a biography of Mary Stuart in Tudor England. The book, titled Embroidering Her Truth: Mary, Queen of Scots and the Language of Power, is an anthropological investigation of embroidery (another focus of the resort 2025 collection) as it becomes a political language ...
Hace 2 días · Each spectacle builds on Chiuri’s ongoing exploration of Christian Dior’s own history, a concept that ultimately resumed in Scotland, where the iconic French designer once also presented his work back in 1955. For Chiuri, however, the setting now became a part of the narrative for her Cruise 2025 collection, in which tokens of the country ...
Hace 3 días · Inspired, in part, by Clare Hunter’s book Embroidering Her Truth: Mary, Queen of Scots and the Language of Power, Chiuri reimagined Dior’s classic silhouettes—namely gowns and skirts—for a ...
Hace 2 días · Mary, Queen of Scots, has always been an inspiration to the French, rarely more so than on Monday evening in the latest Dior cruise collection staged in Scotland. Born Mary Stuart, the daughter of King James V of Scotland and his French wife, Mary of Guise, her tragic tale, and fierce resistance to her cruel fate led to one finest collections ...
Hace 2 días · The unicorn and the thistle, symbols of Scotland, inhabit a new declination of the millefiori motif and become heraldic embroidery to recall the mastery of that technique – or form of self-preservation? – of Mary Stuart that emerges in Clare Hunter’s story: Embroidering Her Truth: Mary, Queen of Scots and the Language of Power.
Hace 2 días · So, Chiuri went to the traditional—the tartan and cashmeres, the tweeds and the Argyles—and deftly filtered them into a collection which variously drew on the geopolitics of fabrics, Mary Stuart (aka Mary Queen of Scots) and the way she gave political commentary through her embroideries, and yes, of course, vive le punk, so that it rocked with a defiant beauty—and an equally defiant energy.
