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Hace 2 días · The present study contributes to the discourse on the environmental paradigm in architecture, recognizing beauty as essential alongside community and sustainability. It examines the modern proportion-based approach within the realm of formal aesthetics, which views proportional relationships as essential for architectural form and aims to develop methods to manipulate these relationships to ...
Hace 1 día · The uncertainty principle, also known as Heisenberg's indeterminacy principle, is a fundamental concept in quantum mechanics. It states that there is a limit to the precision with which certain pairs of physical properties, such as position and momentum, can be simultaneously known.
Hace 1 día · An image of the New Royal Palace at Prague Castle projected onto an attic wall by a hole in the tile roofing. A camera obscura ( pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') [1] is a darkened room with a small hole or lens at one side through which an image is projected onto a wall [2] [3] or table [4 ...
Hace 8 horas · Max Margules (1856–1920) was an exceptional theoretical physicist who used the laws of thermodynamics to describe the basic principles that regulate the formation of storms and cyclones. He was one of the founders of dynamical meteorology, but the true value of his contributions was not generally acknowledged in his lifetime.
Hace 2 días · The scientific method is an empirical method for acquiring knowledge that has characterized the development of science since at least the 17th century. The scientific method involves careful observation coupled with rigorous scepticism, because cognitive assumptions can distort the interpretation of the observation.
Hace 4 días · At first glance, the pigeonhole principle (also known as Dirichlet's principle in honor of the eponymous German mathematician) might appear to be too obvious to be useful; indeed, the power of the principle comes from cleverly choosing the "boxes" and "objects."
Hace 2 días · Chapter 3 discusses how exhibitions operated as Modernist manifestos in Britain, intended to draw audiences into a vivid visual and textual engagement with their work and ideas. The chapter focuses on three ‘manifesto exhibitions’ in Britain: the Unit One Exhibition mounted by the Unit One group in 1934, the International Surrealist Exhibition mounted by the Surrealist group in 1936 and ...
