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  1. Hace 5 días · “Nocturnes for the King of Naples,” by Edmund White, stands outside current fashions, with its refined pleasures and its nuanced accounts of gay lives. By Garth Greenwell May 28, 2024

  2. Hace 3 días · May 30, 2024. Our feast of fabulous reviews this week includes Garth Greenwell on Edmund White’s Nocturnes for the King of Naples, Alex Preston on Richard Flanagan’s Question 7, Blair Braverman on Kevin Fedarko’s A Walk in the Park, Chris Klimek on Steven Hyden’s There Was Nothing You Could Do, and Grace Byron on Griffin Hansbury’s ...

  3. Hace 4 días · 5 Reviews You Need to Read This Week. Our feast of fabulous reviews this week includes Garth Greenwell on Edmund White’s Nocturnes for the King of Naples, Alex Preston on Richard Flanagan’s Question 7, Blair Braverman on Kevin Fedarko’s A Walk in the Park, Chris Klimek on Steven Hyden’s There Was Nothing You Could Do, and Grace Byron on ...

  4. Hace 5 días · The New Yorker (@newyorkermag). 1 Reply. 4 Likes. “Nocturnes for the King of Naples,” by Edmund White, stands outside current fashions, with its refined pleasures and its nuanced accounts of gay lives.

  5. Hace 4 días · Garth Greenwell on “Nocturnes for the King of Naples,” by Edmund White, which stands outside current fashions, with its refined pleasures and its nuanced accounts of gay lives. It’s a bravura opening; it’s also disorienting, and readers might be forgiven for needing some time to find their footing. This is in part because the novel ...

  6. Hace 5 días · In the 1980s, Edmund White — who had cowritten the 1977 gay sex manual The Joy of Gay Sex — published the semiautobiographical novels A Boy's Own Story (1982) and The Beautiful Room Is Empty (1988). Bret Easton Ellis also came to prominence with Less than Zero (1985), The Rules of Attraction (1987) and later American Psycho (1991).

  7. Hace 5 días · La beauté physique a toujours été importante pour Colette. Elle privilégiait le corps sur l’esprit – comme le suggère le titre de l’excellente biographie de Judith Thurman, « Secrets of the Flesh » – et elle croyait qu’il était essentiel de se concentrer sur le physique pour écrire « comme une femme, sans rien de ...

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