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Hace 2 días · Joel Daniel Coen (born November 29, 1954) and Ethan Jesse Coen (born September 21, 1957), together known as the Coen brothers (/ ˈ k oʊ ə n / KOH-ən), are an American filmmaking duo. Their films span many genres and styles, which they frequently subvert or parody.
- Joel: 1Ethan: 2
- St. Louis Park High School
- 1984–present
Hace 2 días · No Country for Old Men is a 2007 American neo-Western crime thriller film written, directed, produced and edited by Joel and Ethan Coen, based on Cormac McCarthy 's 2005 novel of the same name. [2] Starring Tommy Lee Jones, Javier Bardem, and Josh Brolin, the film is set in the desert landscape of 1980 West Texas. [3]
- United States
- Carter Burwell
- English
Hace 1 día · The Coen brothers were a couple of soft-spoken intellectuals from Minnesota, and although Joel followed his then-wife to the University of Texas in 1979, his stint in Austin lasted no more than a ...
Hace 5 días · PG-13. Comedy. Drama. In the Deep South during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them. Release Date. December 22, 2000. Director. Joel ...
Hace 2 días · The Coen brothers are now part of Hollywood’s film legend. They managed to carve out a 30-year-long career in the brutal world of American cinema. However, unlike many of their predecessors, they did this while retaining artistic control over everything. Astonishingly, the Minnesota brothers never lost the lowbrow, geeky demeanor of scruffy film students throughout
Hace 1 día · In my inconsequential opinion, Joel and Ethan Coen have often swung back and forth between two extreme ends during last several decades. On one end, they can give us extremely wacky comedy films such as “Raising Arizona” (1987), “The Hudsucker Proxy” (1994), “The Ladykillers” (2004), and “Hail, Caesar!” (2016).
Hace 2 días · 8. ‘Sin lugar para los débiles’ (2007, Joel Coen, Ethan Coen): Este thriller basado en la novela de Cormac McCarthy, es conocido por su minimalismo musical. Los hermanos Coen optaron por casi no usar música de fondo con el fin de aumentar la tensión y el realismo de las escenas.
