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Hace 3 días · Latin Sides of Wayne Shorter, Joe Henderson, Herbie Hancock, Miles Davis and of course Charles Mingus would follow, which brings us to the newest cross pollination—The Latin Side of McCoy Tyner. You'll hear Craig Handy on tenor and baritone sax, Alex Norris on trumpet & flugelhorn, Bill O'Connell's piano, bassist Ruben Rodriguez, drummer Robby Ameen and percussionist Camilo Molina.
Hace 2 días · And the Mingus-composed "A Chair in the Sky," with lyrics by Mitchell, is arguably its apogee. Like the rest of Hejira, "A Chair in the Sky" features Jaco Pastorius and Wayne Shorter from Weather Report, as well as the one and only Herbie Hancock; this ethereal, ascendant track demonstrates the magic of when this phenomenal ensemble truly gels.
Hace 2 días · Herbie Hancock : 1962: Creative Horn Lines: Three Bags Full Herbie Hancock: Herbie Hancock : 1962: Pedal Points: The Maze by Herbie Hancock: Herbie Hancock : 1962: Horn line harmonization : This is for Albert: Wayne Shorter : 1962: V chord subs. & Temporary tonics: Pensativa: Claire Fischer: 1962: Straightforward Bossa Nova ...
Hace 1 día · Herbie Hancock: 6:35: 24: Promise Of The Sun (Remastered 2000 / Rudy Van Gelder Edition) Herbie Hancock: 7:53: 25: Penelope. Wayne Shorter: 6:46: 26: Don't ...
Hace 4 días · El espacio, denominado “Concierto Cúspide”, tiene como invitada a Luisa Fernanda Herrera Grajales, estudiante de último semestre de Maestro en Música de la Universidad de Caldas, quien interpretará en el saxofón alto temas de los compositores Hank Mobley, Charles Mingus, Marlow Scott, Irbing Berlín, Herbie Hancock, entre otros, con adaptaciones y arreglos originales en un formato que ...
Hace 5 días · Herbie Hancock, born in 1940, is a pioneering American jazz pianist, composer, and bandleader known for his groundbreaking contributions to jazz, ... Charles Mingus, born in 1922, ...
Hace 3 días · Herbie Hancock: Herbie Hancock’s fusion of jazz, funk, and electronic music has made him a pivotal figure in both jazz and hip hop. His 1983 hit “Rockit” was one of the first jazz songs to incorporate elements of hip hop, including turntable scratching.
