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  1. Hace 3 días · Event Navigation « Greazy Gravy Featuring Sonny Earl on Harp and Mick Zampogna on Piano at Rosetown Teague Alexy at Sir Benedict’s »

  2. Hace 17 horas · Sonny Earl and Paul Metsa have a storied 25 year history of playing together, all stemming from a misunderstanding over a last minute gig opportunity. With a holster of harmonicas and 6-string axe, these two soulful troubadours are coming to the 318 Cafe at long last… don’t miss this chance to see a showcase Minnesota music history!

    • 318 Water Street Excelsior, MN 55331 USA
    • (952) 401-7902
  3. Hace 1 día · A banjo player for more than four decades, Steven said he heard the instrument first on “Earl Scruggs’s Foggy Mountain Breakdown 45 record—not the 1949 version, but still my favorite version back then when I was a kid,” he recalled. “I also heard Earl play on The Beverly Hillbillies television show.

  4. Hace 2 días · Earl is my favorite banjo player of all time, and after that, Little Roy Lewis and Lewis Phillips, Alan Munde, Tom Adams, Richard Underwood, Sonny Osborne, Barry Crabtree, and Mike Lilly—a few off the top of my head, in no particular order.” Once the banjo arrived, Ware made this brief video which he shared with the IBMA Foundation.

  5. Hace 17 horas · The Cleverlys "Walk Like an Egyptian". The Cleverlys is a one-of-a-kind, unique comedy and music experience. From the groups humble beginnings in the Ozark Mountains, to currently headlining ...

  6. Hace 17 horas · 1. The Leprechaun, first issued in 1976, is a closely written pro­gramme album inspired, if that’s the right word, by the little people at the bottom of the garden. It’s pervaded and finally submerged by precious evocations of Faerie, but this doesn’t preclude pas­sages of robust jazz, notably on Lenore, a rocking samba pro­pelled with ...

  7. Hace 2 días · The last survivor of the generation of giants who revolutionized jazz in the 1950s, Sonny Rollins played and recorded with Charlie Parker, Miles Davis and Thelonious Monk while still in his teens. By the end of the decade, he reigned supreme as the most talented and innovative tenor saxophonist in jazz.