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  1. Hace 5 días · Living with her husband, photographer and gallerist Alfred Stieglitz, O’Keeffe bounced between seasonal apartments on the top floors of the newly built Shelton Hotel, then one of the city’s ...

  2. Hace 2 días · In seven rooms, Whistler's work also dialogues with photography (Alfred Stieglitz's photographs and Paul Burty-Haviland's cyanotypes), sculpture (Rodin's draped muse in homage to Whistler) and the ...

  3. Hace 1 día · By Jessica Skwire Routhier. CHICAGO — “My New Yorks would turn the word over,” wrote Georgia O’Keeffe to critic Henry McBride in 1925. The words came out of frustration, since her agent/dealer/husband, the photographer Alfred Stieglitz, had just elected to exclude a New York architectural view from a group exhibition at Anderson Galleries.

  4. Hace 18 horas · Nacido en Brooklyn de padres judíos alemanes emigrados a EE.UU., le regalaron su primera cámara a los 13 aòos, se formó de forma autodidact­a en sus visitas al MOMA y en las páginas de las páginas de la revista Camera Work, donde se familiariz­ó con la obra de fotógrafos como Alfred Stieglitz o Paul Strand.

  5. Hace 4 días · Alfred Stieglitz: la fotografía como arte. HA’OMÁN: HISTORIAS DEL ARTE Y DEL JUDAÍSMO, CON PEDRO HUERGO CASO – Dedicamos este programa a recordar a uno de los artistas norteamericanos más influyentes del siglo XX, que elevó la fotografía a la categoría de arte.

  6. Hace 5 días · After Georgia O’Keeffe married the photographer and art dealer Alfred Stieglitz, the couple moved into The Shelton Hotel, a 34-story skyscraper that, at the time, was the world’s tallest hotel. O’Keeffe frequently returned to the residential hotel on Lexington Avenue for the next decade, sometimes living there seasonally.

  7. Hace 3 días · Known as a pioneer of modern American art, Alfred Stieglitz possessed a keen business acumen that recognized the potential of this burgeoning field. In early 20th-century downtown NYC, his galleries became legendary. Not only did they host renowned salons, but they also spearheaded the introduction of Europe’s avant-garde to American audiences.

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