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  1. Hace 3 días · Artemisia exhibited the true physical struggle it would have taken for an act like this to be completed. When looking at this piece I can almost feel the struggle of the two women to pin Holofernes down, and can appreciate the determination for liberation in Judith’s controlled and hardened gaze.

  2. Hace 3 días · Artemisia Gentileschis work “Judith Slaying Holofernes” speaks for her: the painting shows the dramatic talent, vivid colors, and powerful emotions that define her art. Moreover, with Gentileschi, the women she portrayed were always the protagonists, a true innovation for her time.

  3. Hace 1 día · Judith Slaying Holofernes Judith Beheading Holofernes By Artemisia Gentileschi, 1620, 146.5 x 108 cm, Oil on Canvas, (Uffizi Gallery Florence, Italy) Artemisia Gentileschi’s “Judith Slaying Holofernes” exemplifies the defiance and agency of femininity during the Baroque era.

  4. Hace 3 días · Crusie’s Guide to Art 7. Detail of Judith Beheading Holofernes, 1599 by Caravaggio. If you want to do a deeper dive on this subject, check out Artemisia Gentileschi’s Judith. I liked this one for humor because Judith just looks annoyed, but Gentileschi’s Judith got help and went to work and she is furious. It’s wonderful, particularly ...

  5. Hace 2 días · Susanna and the Elders, a 17th-century Italian painting by Artemisia Gentileschi, portrays the biblical story of Susanna, a virtuous Jewish woman preyed upon by two judges, important members of the community. Without her knowing, the men spied on her while she bathed.

  6. Hace 4 días · Here’s Artemisia Gentileschi’s Judith Slaying Holofernes: the influence of Caravaggio and her fury as a victim of sexual abuse make this one of the most savage paintings in Western art. I’ve visited chapels in Rome and Naples where Caravaggios’ have hung since the day he delivered them and made excursions to Sicily and Malta to see work he did while there.

  7. Hace 5 días · As more of Artemisia Gentileschi’s personal history is discovered by art historians, a more complex picture emerges. For instance, it has been noted that in time Artemisia's female subjects became more clever than violent, more interested in teasing than beheading men.