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Hace 3 días · En programmant l’opéra de Saint-Saëns Déjanire, l’Orchestre Philharmonique de Monte-Carlo s’associe aux commémorations dédiées dans la principauté de Monaco au Prince Albert Ier pour le centenaire de sa mort. Souverain régnant à partir de 1889, cet homme curieux de tout, dont le Musée Océanographique mondialement ...
Hace 4 días · Les compositeurs du début XIXe siècle ont un grand intérêt pour le fantastique, ce monde qui est bien le nôtre, celui que nous connaissons où il se produit un événement inexplicable. Le fantastique est donc un monde imaginaire évoquant le surnaturel. La Danse Macabre de Camille SAINT-SAENS.
Hace 12 horas · Requiem for the Living is a choral composition in five movements by Dan Forrest, completed in 2013, an extended setting of the Requiem, scored for boy soprano, soprano, choir and orchestra. The Latin text that Forrest set combines sections from the Requiem with biblical texts from Ecclesiastes and the Book of Job. The composition was.
Hace 1 día · Con el capítulo del brillantísimo Camille Saint-Saëns comenzamos nuestro ciclo sobre compositores que tienen piezas sobre pájaros y aves.Pasen a averiguar a ...
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Hace 1 día · Of later reports that the veteran composer Camille Saint-Saëns had stormed out of the premiere, Stravinsky observed that this was impossible; Saint-Saëns did not attend. [70] [n 7] Stravinsky also rejected Cocteau's story that, after the performance, Stravinsky, Nijinsky, Diaghilev and Cocteau himself took a cab to the Bois de Boulogne where a tearful Diaghilev recited poems by Pushkin .
Hace 4 días · Born in 1835, he was a formidable pianist who, in his prime, could reportedly play all thirty-two Beethoven sonatas from memory and was highly regarded as an organist, as well. He possessed wide-ranging extra-musical interests (including in mathematics and astronomy) and, like Berlioz, was very well travelled.
Hace 4 días · There are times when classical music must wake up and realise that, despite the foibles of a particular recording, it can be an excellent means of expanding the genre for a larger audience. Surely, not a bad philosophy? My objection is to Deutsche Grammophon’s marketing and copywriting teams.
