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Hace 3 días · The theatre critic Addison DeWitt (played by Sanders) narrates the scene and introduces the main characters: Karen Richards (Celeste Holm); her husband, playwright Lloyd Richards (Hugh Marlowe); the theatrical producer Max Fabian (Gregory Ratoff); aging star Margo Channing (Davis); and the recipient of the award for best actress, Eve ...
- Pat Bauer
Hace 1 día · Eleanor of Castile. Edward II (25 April 1284 – 21 September 1327), also known as Edward of Caernarfon or Caernarvon, was King of England from 1307 until he was deposed in January 1327. The fourth son of Edward I, Edward became the heir to the throne following the death of his older brother Alphonso. Beginning in 1300, Edward accompanied his ...
Hace 5 días · Christopher Marlowe (baptized Feb. 26, 1564, Canterbury, Kent, Eng.—died May 30, 1593, Deptford, near London) was an Elizabethan poet and Shakespeare’s most important predecessor in English drama, who is noted especially for his establishment of dramatic blank verse.
- Clifford Leech
Hace 3 días · Title Director Cast Genre Notes 5 Fingers: Joseph L. Mankiewicz: James Mason, Danielle Darrieux, Michael Rennie: Drama: 20th Century Fox: Aaron Slick from Punkin Crick ...
Hace 2 días · Hugh Marlowe (1911–1982), Schauspieler und Radiomoderator; Thomas Joseph McDonough (1911–1998), römisch-katholischer Erzbischof von Louisville; Edward Norris (1911–2002), Filmschauspieler; Francis R. Smith (1911–1982), Politiker; Silvan Tomkins (1911–1991), Philosoph und Psychologe, Entwickler der Affekttheorie
Hace 2 días · stephenfry .com. Signature. Stephen John Fry (born 24 August 1957) is an English actor, broadcaster, comedian, director, narrator, and writer. He first came to prominence as one half of the comic double act Fry and Laurie, alongside Hugh Laurie, with the two starring in A Bit of Fry & Laurie (1989–1995) and Jeeves and Wooster (1990–1993).
Hace 3 días · With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590's and early 1600's.