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Hace 1 día · The National Portrait Gallery‘s exhibition juxtaposing two pioneering female photographers, Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In creates a curious tension in which the pairing both makes sense and doesn’t. Read on to discover why. Francesca Woodman and Julia Margaret Cameron. Francesca Woodman. Julia Margaret ...
Hace 4 días · Arresting Beauty: Julia Margaret Cameron is a collection of work by one of the most innovative and influential photographers of all time. MOPA is pleased to be the first venue in the United States to exhibit this extensive collection by Julia Margaret Cameron, a pioneering portraitist criticized in her own time, but now admired for ...
Hace 5 días · The exhibition is peppered with familiar figures – Artemisia Gentileschi, Angelica Kauffman, Julia Margaret Cameron and Gwen John – but most of the display features artists who are far from household names, even if they once were.
Hace 3 días · Whilst I was aware of Julia Margaret Cameron (1815-1879) I don’t think I have ever seen so many of her prints in one exhibition. Working from the 1860’s Cameron’s work is quite mesmerising particularly the way her portraits of women, whether they are staring off into the distance or straight at the camera, offer us no smiles or acknowledgement that they are being photographed.
Hace 5 días · While Julia Margaret Cameron, with a camera, comfortably outstripped most male photographers. This is not, however, an exhibition about gender competition or pluck in the face of male oppression. The Tate has a shaky recent record when it comes to letting artists and artworks speak for themselves, often preferring to hector the ...
Hace 1 día · Desk Notes No.26 Francesca Woodman & Julia Margaret Cameron ‘Portraits to Dream In’; Dorothy Richardson, Virginia Woolf and the life of the mind
Hace 4 días · The project resulted in the photobook Para verte mejor, América Latina (The better to see you, Latin America, 1972), now considered a classic. Gasparini has continued to make work, often reinterpreting his still photographs through the use of sound and elements of performance. In 1995, he represented Venezuela at the 46th Venice Biennale.
