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  1. Hace 4 días · The article reconstructs the significance and structure of the theory behind the Medici-Lorraine busts which have been on display in the antiricetto of the Gallery of Statues and Paintings since the 1880’s, each one accompanied by an encomiastic text (from the Latin term elogium) regarding the contribution to the development of the museum and its collections.

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  2. Hace 2 días · According to the gallery's website: Lands of the Uffizi brings the Medici family portraits to the noble halls of Scarperia’s Palazzo dei Vicari to evoke the lengthy and widespread presence of the Medici in the country and towns of the Mugello, the family’s legendary homeland. From 19 May to 5 November the Museo dei Ferri Taglienti in ...

  3. Hace 4 días · View all notices. Artworks temporarily not on display. Unloanable masterpieces. Free admission: here are the dates! Closure of the Uffizi Library (21-22 May 2024) History.

  4. Hace 5 días · The cumulative impression of the volume is a multi-faceted, kaleidoscopic view of the 15th-century Medici regime in Florence. As the reader progresses from one chapter to the next, the perspective, object of analysis, and conclusions shift, sometimes subtly, sometimes dramatically.

  5. Hace 3 días · Born on February 14, 1545, Lucrezia was the fifth child and third daughter to Cosimo I deMedici, Duke of Florence, and later the Grand Duke of Tuscany, and his wife Eleanor of Toledo. Her family, the House of Medici, was one of the most powerful and influential dynasties of Renaissance Italy, known for their patronage of the arts and ...

  6. Hace 3 días · Artist: Peter Paul Rubens (1577 - 1640) Art style: Baroque. Title: Medici cycle: The birth of Maria De'Medici. (1621-1625) Size: 295 x 394 cm (115,9 x 154,8 inches) Technique: oil canvas. Location: Paris, Musée du Louvre. Picture number: 1016396. EAN-Number: 4050356228401. Collections: Fresco Paintings. , Ready-to-print images.

  7. Hace 4 días · Uffizi Galleries, Gallery of Statues and Paintings. Inv. 1890 nos. 3191-3192-3193. Consisting of three panels, this large painting was painted in Bruges by famous Flemish artist Hugo van der Goes, and it was commissioned by Tommaso Portinari, Florentine banker at the head of the local Medici bank.