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  1. Hace 5 días · Blow-Up (1964) fue su mayor éxito internacional, tanto de público como de crítica, y luego muchos cineastas le rindieron homenajes, como Francis Ford Coppola en La conversación (The Conversation, 1974), Brian De Palma en Impacto (Blow Out, 1981) o Ridley Scott en Blade Runner (1982).

  2. Hace 5 días · David Alan Mellor, ‘Fragments of an Unknowable Whole: Michelangelo Antonioni’s Incorporation of Contemporary Visualities—London, 1966’, Antonioni’s Blow-Up, p. 131. ↩; An allusion perceived by at least one other critic. See Rodney Stenning Edgecombe, ‘The Emblematic Texture of Antonioni’s Blow-Up ’, Film Criticism 36.1

  3. Hace 5 días · Michelangelo Antonioni was an acclaimed Italian filmmaker whose best-known films came out during the 1960s and 1970s. Of those, Blow-Up is arguably his most beloved and famous, being an unusual ...

    • Jeremy Urquhart
    • Feature Writer/Senior List Writer
  4. Hace 4 días · The new Senses of Cinema features Becoming Nonhuman, a dossier including essays on Robert Bresson’s Au hasard Balthazar (1966) and Jerzy Skolimowski’s EO (2022), Michelangelo Antonioni’s Blow-Up (1966) and Hlynur Pálmason’s Godland (2022), and the work of Lucien Castaing-Taylor and Véréna Paravel.

  5. Hace 4 días · 8. Blow-Up by Michelangelo Antonioni. This movie has such a particular mood and feeling that is unlike anything else I’ve ever seen. I love it and admire Antonioni very much. “Blow-Up” is about questioning what’s real and what’s not. Both the viewer and the character wonder if there was really a murder in the park.

  6. Hace 2 días · A personal recommendation is ‘Blow-Up’ (1966) by Michelangelo Antonioni. Whilst the direction is Italian and the writing Argentinian, it is Antonioni’s first English-speaking film set in the deep hollows of London in the 1960s, and it is promised to catapult you right back into the grisly and rather dodgy conditions of criminal England.

  7. Hace 5 días · In 1966, famed Italian auteur Michelangelo Antonioni directed his first English language production, Blow-Up, which embeds itself with the mod subculture of Swinging London. Blow-Up centers on a photographer dissatisfied by his life of sex, drugs, and rock and roll.