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Hace 3 días · Les Misérables ( / leɪ ˌmɪzəˈrɑːb ( əl ), - blə / lay MIZ-ə-RAHB (-əl), -RAH-blə, French: [le mizeʁabl] ), colloquially known as Les Mis or Les Miz ( / leɪ ˈmɪz / lay MIZ ), is a sung-through musical with music by Claude-Michel Schönberg, lyrics by Alain Boublil and Jean-Marc Natel, and a book by Schönberg and Boublil, based on the 1862 novel o...
Hace 4 días · — May 26, 2024. To the occasional listener of symphony concerts, Arnold Schönberg (1874-1951) is generally known as one of the boldest modernists in music history. What surprises many people who take a closer look at his biography, however, is that he was anything but politically progressive.
Hace 2 días · Janáček and Schönberg hand in hand. Two great classics, two strong narratives with differing outcomes. The Norwegian Chamber Orchestra weaves together music and text to create an auditory and visual universe. The result is packed with turbulent desire and uncompromising love – and all the moments in between. Last Updated: 05/28/2024.
Hace 2 días · Triangel der Wiener Tradition I Zemlinsky – Schönberg – Hoffmann. 5. März - 20. Dezember 2024. Inspiriert vom weltweit gefeierten 150. Geburtstag von Arnold Schönberg beleuchtet die neue Ausstellung im Exilarte Zentrum der mdw das gesellschaftliche und kulturelle Umfeld des Begründers der Zweiten Wiener Schule.
Hace 1 día · Unknown - Divisions No. 24 in A (Pavan) Unknown - Divisions No. 26 in D; Roberto Gini, division viol. Guido Andreolli, virginal. Dario Landi, theorbo.
Hace 1 día · Generelt. Janáček og Schönberg hånd i hånd. To store klassikere, to sterke historier med ulikt utfall. Det Norske Kammerorkester spinner musikk og tekst sammen i et lydlig og visuelt univers. Det er stormende begjær og kompromissløs kjærlighet – og øyeblikkene mellom. Sist oppdatert: 05/29/2024. Kilde: VisitOSLO as.
Hace 5 días · Milan Kundera’s essay “My Janacek” with the author’s signature. Photo: DIVADELNI-NOVINY.CZ. It seems that by calling Leoš Janáček, who was not properly accepted in his homeland, the “unloved child of the family,” Milan Kundera, to some extent, associates the composer’s fate with his own since the quoted essay was written in 1993, when the writer was in exile in Paris.
