Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hace 5 días · The design was well received among the Chinese female intelligentsia. Platyes were often made from cotton and were printed with dense flower, tartan or striped patterns. China used to import large quantities of patterned fabric and called for people to purchase it. At that time, even pedicab drivers wore cotton print.

  2. Hace 4 días · As to the dressing style of the Northern Dynasty, eunuchs wore red unlined garments at formal situations. Informal dresses and military uniforms mainly included trousers. Ordinary women always wore short jackets and coats. Woolen carpets, gunny clothes and silk clothes were popular products during the Northern and Southern Dynasties.

  3. Hace 5 días · Costume in the Tang Dynasty. The unified and prosperous China was established in the Tang Dynasty (618-907). In China's history, the Tang Dynasty was a period when the polity and economy were highly developed and the culture and art were thriving. Women's dress and personal adornments of the Tang Dynasty were outstanding in China's history.

  4. PIC 3: ‘On the left, a woman in the typical Aztec huipil over a cueitl. To the right, the woman is dressed as in the early post-Conquest period, retaining the Aztec cueitl and adding a European-style blouse.’. Picture sources:-. • Pix 1 & 3, as noted above, by Alberto Beltrán. • Pic 2: photo by Sean Sprague/Mexicolore.

  5. Hace 15 horas · In Britain, a number of women rejected nylon, acrylic, rayon, new cotton, and polyester in favor of tencel, linen, organic cotton, and recycled polyester. [73] Workplace dress codes became more casual due to a higher proportion of remote workers among white collar staff.

  6. Hace 5 días · Weaving its origins. Tennun weaving is a centuries-old tradition among the Yakan, an indigenous group from Basilan. According to local brand Anthill Fabrics, Yakan tennun is known for intricate ...

  7. Hace 4 días · The book is built on four themes: the practicalities of clothing; the social and cultural significance of clothing; parish and charity clothing; and the use of institutional uniforms. From the reader’s perspective, each chapter is nicely signposted with each concluding section not only drawing on the main themes from the chapter, but also showing how these themes relate to the following section.