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19 de mar. de 2022 · Shakespeare and the goddess of complete being. by. Hughes, Ted, 1930-1998. Publication date. 1992. Topics. Shakespeare, William, 1564-1616 -- Criticism and interpretation, Shakespeare, William, 1564-1616 -- Knowledge -- Mythology, Shakespeare, William, 1564-1616 -- Tragedies, Goddess religion in literature, Ontology in literature ...
30 de ago. de 2020 · Shakespeare and the Goddess of Complete Being (London: Faber and Faber, 1992) Ann Skea considers the development and legacy of Hughes’s mythic Shakespearean study.
Shakespeare and the Goddess of Complete Being. Ted Hughes. Faber & Faber, 1993 - Dramatists, English - 524 pages. This critical work on Shakespeare attempts to show his complete works - dramatic and poetic - as a single, tightly-integrated, evolving organism.
Shakespeare and the Goddess of Complete Being is a book of literary criticism by Ted Hughes extensively analyzing the works of Shakespeare. Part one: The Immature Phase of the Tragic Equation; Part two: The Evolution of the Tragic Equation through the Seven Tragedies; Part three: The Transformation of the Tragic Equation in the Last ...
- Ted Hughes
- 1992
1 de sept. de 1992 · For a luminous and beautiful exploration of European paganism and the original Mother Goddess faith, backed by immense scholarship and a decades-long passion for the subject, one can do no better than Ted Hughes' magnificent Shakespeare and the Goddess of Complete Being.
- (80)
- Hardcover
1 de ene. de 1992 · Shakespeare and the Goddess of Complete Being. Paperback – January 1, 1992. by Ted Hughes (Author) 4.6 35 ratings. See all formats and editions. This critical work on Shakespeare attempts to show his complete works - dramatic and poetic - as a single, tightly-integrated, evolving organism.
- Ted Hughes
In this momentous adventure in criticism, one of the leading poets writing in English argues that our profound response to Shakespeare's great late plays is prompted by a mythic, symbolic structure that inheres in each of them, and indeed binds the entire Shakespearean corpus into one huge, complex, ever-evolving work.
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