Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Marabou Stork Nightmares is an experimental novel by Irvine Welsh, and his second novel, published in the UK in 1995. The book's narrative is split into two styles: a conventional first-person account of the past and a more surreal, stream-of-consciousness account of an otherworldly present.

    • Irvine Welsh
    • 1995
  2. 1 de ene. de 2001 · Marabou stork nightmares follows Roy Strang who is in a coma. We see the fantasy world he has created, the memories of his past that slowly creep back and the discussions he can hear happing around his hospital bed.

    • (12.2K)
    • Paperback
  3. 17 de ene. de 1997 · Marabou Stork Nightmares. Irvine Welsh. W. W. Norton & Company, Jan 17, 1997 - Fiction - 288 pages. "For anyone who gets high on language, this book is a fantastic trip...a real tour de...

  4. This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state.

    • (93)
    • Pasta blanda
  5. 17 de ene. de 1997 · Marabou Stork Nightmares. Paperback – January 17, 1997. by Irvine Welsh (Author) 4.4 115 ratings. See all formats and editions. "For anyone who gets high on language, this book is a fantastic trip...a real tour de force."―Madison Smartt Bell, Spin.

    • (82)
    • Irvine Welsh
    • $13.89
    • W. W. Norton & Company
  6. This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil...

  7. Description. Product Details. "For anyone who gets high on language, this book is a fantastic trip...a real tour de force."—Madison Smartt Bell, Spin. The acclaimed author of the cult classics Trainspotting and The Acid House, Irvine Welsh has been hailed as "the best thing that has happened to British writing in a decade" (London Sunday Times).