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Lucrezia Crivelli was a mistress of Ludovico Sforza "il Moro", Duke of Milan. She was the mother of Sforza's son, Giovanni Paolo I Sforza , Marquess of Caravaggio . Crivelli has been thought to be the subject of Leonardo da Vinci 's painting, La belle ferronnière .
Leonardo's portrait of Lucrezia Crivelli, known as La Belle Ferroniere. She was the second mistress of Ludovico Sforza, The Duke of Milan. Italian Renaissance Art.com
Tradicionalmente se la ha identificado con Isabel de Este, Beatriz de Este o incluso con Isabel Gonzaga o una de las muchas amantes de Ludovico Sforza, como Lucrezia Crivelli, de la que Leonardo hizo un retrato, según consta en el ' 'Códice Atlántico (f. 167 vto.); puede que represente a Cecilia Gallerani, amante del Moro, en una edad más avanza...
The identity of La Belle is unclear, but the majority of art historians believe it to be a portrait of the Milanese court lady Lucrezia Crivelli. The portrait is now in the Louvre in Paris. Content. 1. Who was the Belle Ferroniere? Theory I - A lady from Milan. Theory II - Mistress of the French King (Belle Ferroniere)
Later she was tentatively identified as Lucretia Crivelli, a married lady-in-waiting to Duchess Beatrice of Milan, who became another of the Duke's mistresses. Leonardo's Lady with an Ermine has also been known by this name. This was once believed to be a portrait of Cecilia Gallerani, one of the mistresses of Ludovico Sforza, Duke of Milan.
Tradicionalmente se la ha identificado con Isabel de Este, Beatriz de Este o incluso con Isabel Gonzaga o una de las muchas amantes de Ludovico Sforza, como Lucrezia Crivelli, de la que Leonardo hizo un retrato, según consta en el ''Códice Atlántico (f. 167 vto.); puede que represente a Cecilia Gallerani, amante del Moro, en una edad más ...
7 de may. de 2021 · This challenges the portrait's earlier attribution to Lucrezia Crivelli, a mistress of Ludovico. Bernard Berenson attributed this portrait to Bernardino de' Conti. Giovanni Antonio Boltraffio was suggested by Herbert Cook, who retracted his opinion, seeing Leonardo's own hand, in 1904.
