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The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory is a 2001 book by the Slovenian philosopher Slavoj Žižek which uses free associative film interpretation to tangentially examine the films of Polish director Krzysztof Kieślowski while avoiding the debate between cognitive film theory and psychoanalytic ...
- Slavoj Zizek
- 2001
22 de jun. de 2020 · The fright of real tears : Krzysztof Kieślowski between theory and post-theory. by. Žižek, Slavoj. Publication date. 2001. Topics. Kieślowski, Krzysztof, 1941- -- Criticism and interpretation, Film criticism. Publisher. London : BFI Pub.
The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory. Murat Akser. 2002, Screen.
- Murat Akser
1 de dic. de 1999 · The Fright of Real Tears: Krzysztof Kieślowski between Theory and Post-Theory. Slavoj Žižek. 3.84. 100 ratings5 reviews. Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory.
- (99)
- Hardcover
Slavoj Žižek is one of the world’s most important contemporary public intellectuals. Much of his popularity stems from his constant and recurring references to popular culture and cinema, as well as his own appearances in films such as The Pervert’s Guide to Cinema and Examined Life.
- Gopalan Ravindran
1 de mar. de 2002 · As Slavoj Zizek remarks, White is the most political film in the trilogy, being embedded, as Janina Falkowska notes, in the context of the unequal relationship between France and Poland ( Zizek ...
Given the ontological weight to be carried by this notion of ‘real tears’, it should be noted that when Zizek cites this passage the word ‘those’ goes missing. In his rendition, the two key lines from the passage are given as: ‘But now I've got glycerine. I'm frightened of real tears.’
