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  1. John Patitucci – bass. Brian Blade – drums. Production. Herbie Hancock – executive producer. Michael Brecker – producer. Jason Olaine – producer. Todd Fraracci – producer. Scott Southard – concept management. Doug Doctor – engineer (recording) Rob Griffin – engineer (recording) Jay Newland – engineer (mixing) Greg Calbi – engineer (mastering)

  2. It was recorded in August 2006 with Pat Metheny on guitar, John Patitucci on bass, Jack DeJohnette on drums and Herbie Hancock and Brad Mehldau on piano. Brecker was critically ill when it was recorded, but the other musicians involved praised the standard of his musicianship.

  3. Patitucci comenzó su carrera profesional a principios de los '80, participando en innumerables sesiones de grabación al lado de figuras de la talla de B. B. King, Michael Brecker, Dave Grusin, Herbie Hancock, Dizzy Gillespie, Stan Getz, Bonnie Raitt, Sting, Wayne Shorter, o George Benson, y grabando bajo la dirección de importantes ...

  4. John Patitucci - John Patitucci. GRP Records © 1988. Featuring: John Patitucci, bass; Dave Weckl, drums, percussion; Peter Erskine, drums; Vinnie Colaiuta, drums; Michael Brecker, tenor saxophone; Chick Corea, keyboards; John Beasley, keyboards; David Witham, keyboards; Rick Riso, vocals.

  5. The recording features Impulse artist Michael Brecker on tenor sax and Patitucci's wife Sachi on cello, in addition to pianist Alan Pasqua, tenor sax Chris Potter (who fills the role well in Brecker's absence) and drummer Paul Motian.

  6. John James Patitucci: Born December 22, 1959 (age 64) Brooklyn, New York, U.S. Genres: Jazz, jazz fusion: Occupation(s) Musician, composer: Instrument(s) Double bass, bass guitar: Years active: 1980–present: Labels: GRP, Stretch, Concord Jazz: Website: johnpatitucci.com

  7. John Patituccis second album since moving back to New York features some heavy hitters in ace drummer Bill Stewart, guitarist John Scofield and tenor saxophonists Chris Potter and Michael Brecker. The overall mood of Patituccis compositions is greatly informed by Stewart’s loose, interactive approach to the kit.