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Wolfe's thesis in The Painted Word was that by the 1970s, modern art had moved away from being a visual experience, and more often was an illustration of art critics' theories. Wolfe criticized avant-garde art, Andy Warhol, Willem de Kooning, and Jackson Pollock. The main target of Wolfe's book, however, was not so much the artists, as the critics.
- Tom Wolfe
- 1975
14 de oct. de 2008 · "The Painted Word" peers into the inscrutiable relationships between artists, critics, patrons, fashionistas and curators. Wolfe sees contemporary art as an outgrowth of this cloistered social system.
- (692)
- Tom Wolfe
- $14.19
- Picador USA
1 de ene. de 2001 · The Painted Word follows American art through the dominant movements from 1945 until 1975: Abstract Expressionism, Pop Art, Minimalism, Op Art, Color Field Painting, and Post-Painterly Abstraction, to the beginnings of Earth Art.
- (6.7K)
- Paperback
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14 de oct. de 2008 · The Painted Word. Tom Wolfe. Farrar, Straus and Giroux, Oct 14, 2008 - Art - 128 pages. "America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece"...
14 de oct. de 2008 · —San Francsico Chronicle “The Painted Word may well be Tom Wolfe's most successful piece of social criticism to date.” —The New York Times “The Painted Word is a masterpiece. No one in the art world . . . could fail to recognize its essential truth.
The Painted Word. Tom Wolfe. Bantam Books, 1976 - Art - 120 pages. From the fuliginous flatness of the fifties to the pop op minimal sixties, right on through the now-you-see-it-now-you-don't...
