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  1. '' Eudòxia Comnena'' (en griego: Ευδοκία Κομνηνή, Eudokia Komnēnē) (1150 / 1152 - 1203), noble bizantina, madre de María de Montpellier y abuela de Jaime I de Aragón . Orígenes familiares. Hija de Isaac Comneno y de la segunda esposa de éste, Eirene Diplosynadene (o Irene Sinadena). Era por tanto, sobrina del emperador Manuel I Comneno . Biografía.

  2. Eudokia Komnene (or Eudocia Comnena) (Greek: Εὐδοκία Κομνηνή, Eudokia Komnēnē) (c. 1160 – c. 1203) was a relative of Byzantine Emperor Manuel I Komnenos, and wife of William VIII of Montpellier.

  3. Eudokia Komnene ( Greek: Εὐδοκία Κομνηνή; 14 January 1094 – c. 1129) was the third daughter of the Byzantine emperor Alexios I Komnenos ( r. 1081–1118 ). Her brother was John II Komnenos . Life. Eudokia Komnene was born on 14 January 1094, as the third daughter and sixth child of the Byzantine emperor Alexios I Komnenos and empress Irene Doukaina.

  4. 10 de dic. de 2023 · Eudokia Komnene, Lady of Montpellier Eudokia Komnene (or Eudocia Comnena) (Greek: Εὐδοκία Κομνηνή, Eudokia Komnēnē) (c. 1160 – c. 1203) was a relative of Byzantine Emperor Manuel I Komnenos, and wife of William VIII of Montpellier. Lady of Montpellier. Noble family Komnenos

  5. Eudokia Komnene or Eudocia Comnena (Greek: Ευδοκία Κομνηνή, Eudokia Komnēnē), (c. 1150 or 1152 – c. 1203) was a niece of Byzantine Emperor Manuel I Komnenos, and wife of William VIII of Montpellier. Eudokia was a daughter of the sebastokratōr Isaac Komnenos by his second wife, Irene Synadene.

    • Female
    • William VIII of Montpellier
  6. Süleyman Chelebi. Alp Arslan. House. Komnenos. Father. Alexios III of Trebizond. Mother. Theodora Kantakouzene. Eudokia Megale Komnene (died after 4 September 1395), was a Trapezuntine princess and a member of the powerful Byzantine Komnenos dynasty as a daughter of Emperor Alexios III of Trebizond.

  7. awareness. This is particularly unfortunate in respect of his treat- ment of imperial women from Theodora in the sixth century to Irene in the eighth and on to Anne of Savoy in the fourteenth, though he praises Eudokia Makrembolitissa and Anna Komnene as educated females.2 His presentation requires radical rethinking.