Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hóng Dēnglóng Gāogāo Guà (Esposas y concubinas en Argentina, La linterna roja en España; chino simplificado: 大红灯笼高高挂; chino tradicional: 大紅燈籠高高掛; literalmente: Cuelga alto la gran linterna roja) es una producción cinematográfica china de 1991, dirigida por Zhang Yimou y protagonizada por Gong Li.

  2. Raise the Red Lantern ( Hóng Dēnglóng Gāogāo Guà, 1991) was director Zhang Yimou’s fourth feature film, coming right after his outstandin g breakthrough feature, Ju Dou (1990) and again starring Gong Li. The story of the film, which depicts the travails of a concubine who has just joined the household of a rich family in northern ...

    • Dà Hóng Dēnglóng Gāogāo Guà1
    • Dà Hóng Dēnglóng Gāogāo Guà2
    • Dà Hóng Dēnglóng Gāogāo Guà3
    • Dà Hóng Dēnglóng Gāogāo Guà4
    • Dà Hóng Dēnglóng Gāogāo Guà5
  3. Rutgers University. Raise The Red Lantern ( Hóng Dēnglóng Gāogāo Guà, Zhang Yimou, 1991), set in 1920s China, tells the story of Songlian, an educated nineteen year old woman who after the death of her father has little choice but to marry a wealthy man from a distant province.

  4. 17 de abr. de 2017 · Recoge los temas claves del cine chino: obstinación, tradiciones, pasión y tragedia. Con una óptica femenina, como es marca de la casa de Zhang Yimou.

  5. 1991 - Esposas y concubinas / La linterna roja (en chino: 大红灯笼高高挂, en pinyin: Hóng Dēnglóng Gāogāo Guà). Nominada al Óscar a la mejor película extranjera. 1992 - Qiu Ju, una mujer china (en chino: 秋菊打官司, en pinyin: Qiū Jú Dǎ Guānsi). León de Oro en el Festival Internacional de Cine de Venecia ...

  6. Raise the Red Lantern is a 1991 Chinese-language period drama film directed by Zhang Yimou and starring Gong Li. It is an adaptation by Ni Zhen [ zh] of the 1990 novella Raise the Red Lantern (originally Wives and Concubines) by Su Tong.

  7. This article presents an analysis of visual-acoustic dissonance in Raise The Red Lantern ( Hóng Dēnglóng Gāogāo Guà , Zhang Yimou, 1991). Drawing upon Michel Foucault's discussion of the Panopticon, this study argues that the camera in this film represents a panoptic entity whose subversion can only be achieved by means outside the ...