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  1. 18 de jun. de 2023 · Dokhunda Pallaev was a protestor who fled from the security forces along with five friends who hid in a house. There, they were discovered by Tajik security forces, blasted with explosives and dragged out of the house. Four were executed with close shots to the head, and one taken prisoner.

  2. After 1992, his writing helped to bind together a sense of Tajik nationalism that survived the collapse of the Soviet Union. [citation needed] Ayni gave indigenous Tajik literature in Tajikistan a boost in 1927 by writing Dokhunda, the first Tajikistani novel in the Tajik language. [citation needed]

  3. en.wikipedia.org › wiki › DokhundaDokhunda - Wikipedia

    Plot. The film tells about the powerless laborer Edgor, who is popularly called "Dokhunda", who starts a new life in Tajikistan. The film is based on the novel with the same title by Tajik national poet Sadriddin Ayni, but the project was regarded with suspicion by the authorities as possibly exciting Tajik nationalism, and stopped.

  4. Tajik literature. In Tajikistan: Literature. …Tajik, Russian, and Uzbek, and Sadriddin Ayni, known for his novel Dokhunda (1930; The Mountain Villager) and for his autobiography, Yoddoshtho (1949–54; published in English as Bukhara ). Both Fitrat and Ayni were bilingual, writing in Uzbek and Tajik.

  5. Ayni dio la literatura indígena en Tayikistán un impulso en 1927 al escribir Dokhunda, la primera novela Tajikistani en el idioma tayiko. Su obra principal es el Yoddoshtho cuatro volúmenes.

  6. Dokhunda (Russian: Дохунда) is a 1934 Soviet drama movie directed by Lev Kuleshov. It stars Kamil Yarmatov, T. Rakhmanova, and Semyon Svashenko. Actors. Kamil Yarmatov as Edgor; T. Rakhmanova as Giulnor; Semyon Svashenko as Sabir; Sergey Komarov as Azim-Shakh; R. Petrov as Big Chief Oaqsaqual; References

  7. 1 de sept. de 1998 · Sadriddin Ayni, John R. Perry (Translator), Rachel Lehr (Translator) 4.05. 19ratings6reviews. Buy on Amazon. The first volume of Aini's unfinished Reminiscences is a first-person account both of a traditional Iranian-Islamic society on the eve of a fateful transition, and of a precocious boy's rites of passage to literary preeminence.