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The Jordanaires, best known for having provided background vocals for Elvis Presley, appear on the tracks "I'm Holding You" and "Powder Blue". The melody of "Japanese Cowboy" closely resembles that of " Chariots of Fire " by Vangelis .
27 de sept. de 2014 · Recorded at Owen Bradley’s legendary Bradley’s Barn studio at his farm just outside of Nashville, 12 Golden Country Greats featured The Jordanaires as backup chorus singers, Country Music Hall of Famer Hargus “Pig” Robbins on piano, Nashville A-Team member Buddy Spicher on fiddle and mandolin, Charlie McCoy on banjo and ...
Producer – Ben Vaughn. Vocals – The Jordanaires. Written-By – Ween. Notes. Recorded and mixed Nov. 2-8, 1995, at Bradley's Barn in Mt. Juliet, Tennessee. Total time: 32:39 min. Issued in standard CD jewel case with black tray. 4-page single-fold insert booklet contains tracklist and credits.
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1996: Ween's album 12 Golden Country Greats; 1997: On "Who'll Be The One If Not Me" for the off-Broadway musical Violet; 1998: On "You Better Move On" and "Tomorrow Night" on Sugar Ray Norcia's album Sweet & Swingin'
Producer – Ben Vaughn. Vocals – The Jordanaires. Written-By – Ween. Notes. Recorded and mixed Nov. 2-8, 1995, at Bradley's Barn in Mt. Juliet, Tennessee [in booklet]. ℗ 1996 Ween. © 1996 Flying Nun Records Ltd. [on back of booklet and back cover]. Track durations not listed on release, taken with EAC.
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8 de may. de 2023 · 12 Golden Country Greats is a studio album by Ween, released on July 16, 1996. For 12 Golden Country Greats, Ween used their resources from their Elektra deal to record the album with professional country-music session musicians in Nashville, TN. Contents. 1 Description. 1.1 Background. 1.2 Recording. 1.3 Promotion and Release. 2 Track Listing.
11 de nov. de 2021 · It’s a total setback for us, but it’s what makes Ween Ween, is the brownness. It’s fuckin’ brown. It’s so fuckin’ brown all the way through: bad punch-ins, punch-outs on tapes.”. Ween 1996 Much Music Interview. Watch on. Ween saw 12 Golden Country Greats as a way to make a fucked-up country record that was as reverent as anything ...
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