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The Modern Touch (Riverside, 1957) Con Barry Harris. Bull's Eye! (Prestige, 1968) Con Joe Henderson. Page One (1963) Our Thing (1963) In 'n Out (1964) Con Ernie Henry Presenting Ernie Henry (Riverside, 1956) Last Chorus (Riverside, 1956–57) Con Andrew Hill. Point of Departure (1964) Con Milt Jackson. Roll 'Em Bags (Savoy, 1949 ...
The Modern Touch is the second album by saxophonist Benny Golson featuring performances recorded in late 1957 and ... Kenny Dorham - trumpet; J. J. Johnson ...
Benny Golson, The Modern Touch (Riverside, 1958) – rec. 1957; Barry Harris, Bull's Eye! (Prestige, 1968) Andrew Hill, Point of Departure (Blue Note, 1965) – rec. 1964; Harold Land, Eastward Ho! Harold Land in New York (Jazzland, 1960) Jackie McLean, Vertigo (Blue Note, 1980) – rec. 1959–63; John Mehegan, Casual Affair (TJ, 1959)
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format.
Joined here by such hall-of-famers as Kenny Dorham, J.J. Johnson, Wynton Kelly, Paul Chambers, and Max Roach, Golson later called The Modern Touch "a dream come true." with Kenny Dorham, J.J. Johnson, Wynton Kelly, Paul Chambers, Max Roach
30 de ago. de 2023 · Kenny Dorham, el trompetista con un alma melódica y un enfoque innovador, dejó una marca duradera en el jazz moderno. Su contribución a la evolución del bebop, su influencia en la fusión de géneros y su compromiso con cuestiones sociales lo convierten en un músico digno de admiración.
22 de sept. de 2018 · It’s quite amazing, then, to realize that a pair of Austinites, trumpeter Kenny Dorham and bassist Gene Ramey, not only backed the likes of Charlie Parker and Lester Young, but played on many of the late-’40’s and early-’50s Thelonious Monk sessions one critic called “among the most significant and original in modern jazz.”
