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The differences between Romanticism and classicism include that classicism emphasized order and reason while Romanticism emphasized feelings and emotions, that classical architecture insisted...
Romanticism, first defined as an aesthetic in literary criticism around 1800, gained momentum as an artistic movement in France and Britain in the early decades of the nineteenth century and flourished until mid-century.
“Every great classical artist was a romantic at heart and vice versa; the distinction between them is more convenient than real,” writes Kenneth Clark; the “Romantic Rebellion” in painting emerged from the spirit of the times.
Kenneth Clark studies the rich and turbulent world of 18th- and early 19th-century art--the romantic movement. Classicists Jacques Louis David and Jean Ingres, and romanticists Goya, Piranesi, Delacroix, Turner, and Constable are discussed in this introduction to the series
Classicism, aesthetic attitude and art style based on or reiterating themes, techniques, and subjects of art from ancient Greece and Rome (spanning approximately from the formation of Greek city-states in the 8th century bce to the decline of the Roman Empire in the 5th century ce).
Definitions of the classical versus definitions of the Romantic are examined, and Romanticism as a rebellion against classicism and the Enlightenment outlined. The cult of Ossian, its influence across Europe, and its place within Romanticism is explained.
Neoclassicism, prevalent from the mid-18th to late 18th century, emphasized reason, classical themes, and clean aesthetics. On the other hand, Romanticism, spanning the late 18th to mid-19th century, celebrated emotion, imagination, and individualism.
