2013
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He is an artist of many versatile talents, being a published novelist, author, writer and well-respected Taiwanese filmmaker. Wu's son, Chien-Ting Wu, is also an actor in Taiwan, and has starred in TV shows such as Apple in Your Eye and films such as Arvin Chen 's Will You Still Love Me Tomorrow (2013).
Wu Nien Jen. Nombre: 吳念真 / Wu Nien Jen (Wu Nian Zhen) / 吳文欽 / Wu Wen Qin. Profesión: Actor, Director, Guionista. Fecha de Nacimiento: 29-Julio-1952 (71 Años) Lugar de Nacimiento: Taipéi, Taiwán. Signo Zodiacal: Leo. Signo Zodiacal Chino: Dragón. Familia: Hijo (Wu Ding Qian) Drama. Xing Fu Bu Er Jia (TTV, 2015)
Wu Nien-jen es un guionista y actor nacido en el año 1952 en Taiwán conocido por Yi Yi, El maestro de marionetas, Ciudad doliente (A City of Sadness), Polvo en el viento, Aquel día, en la playa, The Sandwich Man, Canción del exilio, The Son's Big Doll (C), A Borrowed Life y Vacaciones en Shanghai.
Nien-Jen Wu. Writer. Actor. Producer. IMDbPro Starmeter See rank. Play trailer 1:56. Island Etude (2006) 2 Videos. 5 Photos. Wu Nien-Jen was born in a coal miner's family in 1952. He started writing short stories for newspapers in 1975, when he was still an accounting majored college student.
- January 1, 1
- 1.66 m
- Juifang, Taipei County, Taiwan
Wu Nien-jen (Chinese: 吳念真; born 5 August, 1952) is a Taiwanese screenwriter, director, and writer. He is one of the most prolific and highly regarded scriptwriters in Taiwan and a leading member of the New Taiwanese Cinema, although he has also acted in a number of films, like Edward Yang's film Yi Yi (2000).
Biografía de Wu Nien-Jen y su filmografía, todas sus películas: Ciudad doliente, Yi yi, The Sandwich Man, Dust in the Wind, Vacaciones en Shanghai Wu Nien-Jen - Edad | Biografía | Películas | Noticias | Filmografía | Premios - Decine21
September 13–21, 2008. The Taiwan Stories of Edward Yang and Wu Nien-jen. One of the wonders of late 20th century world cinema was the sudden wave of extremely talented directors who emerged in Taiwan during the 1980s, an incredible efflorescence that essentially reinvented a national cinema where only its pale shadow had previously existed.
