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Rogério Sganzerla OMC (Joaçaba, 4 de maio de 1946 — São Paulo, 9 de janeiro de 2004) [1] foi um cineasta, roteirista e produtor brasileiro. Mais conhecido pelo seu papel como representante do cinema marginal, um movimento contracultural brasileiro dos anos 1960 e 1970.
Rogério Sganzerla (4 May 1946 — 9 January 2004) was a Brazilian filmmaker. One of the main names of the cinema marginal underground movement, his most known work is The Red Light Bandit (1968). Sganzerla was influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, and often used clichés from film noir and ...
Rogério Sganzerla was born on 4 May 1946 in Joaçaba, Santa Catarina, Brazil. He was a director and writer, known for The Red Light Bandit (1968), O Signo do Caos (2005) and A Mulher de Todos (1969). He was married to Helena Ignez. He died on 9 January 2004 in São Paulo, Brazil.
- Director, Writer, Editor
- May 4, 1946
- Rogério Sganzerla
- January 9, 2004
Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas.
9 de ene. de 2004 · Rogério Sganzerla (Joaçaba, Santa Catarina, 1946 – São Paulo, São Paulo, 2004). Cineasta, crítico de cinema. É nome referencial do cinema autoral, independente, produzido a partir dos anos 1960.
Rogério Sganzerla (1946 - 2004) fue un guionista y director de Brasil conocido por O bandido da luz vermelha, Dame un respiro, Araña, Brasil (C), Documentário (C), La mujer de todos, Copacabana Mon Amour, A Entrevista (C), El signo del caos, Nem Tudo é Verdade y Olho por Olho (C)
Spectacle Theater is proud to present a near-complete retrospective of the films of Rogério Sganzerla, an independent master who challenged the institutionalized filmmaking of Brazil in the late Sixties to create a transgressive, intertextual, cinema of instability.
