Resultado de búsqueda
Prince Mikołaj Krzysztof Radziwiłł (Lithuanian: Mikalojus Kristupas Radvila Našlaitėlis; 2 Augustus 1549 – 28 February 1616) and nicknamed "the Orphan" (Polish: Sierotka, Lithuanian: Našlaitėlis), was a Polish–Lithuanian nobleman , Ordynat of Nyasvizh from 1586, Court Marshal of Lithuania from 1569, Grand Marshal of ...
Since the 18th century, all Radziwiłł family members have been descendants of this line. Three sons of Mikołaj "the Black", Mikołaj Krzysztof "the Orphan", Albrycht, and Stanisław "the Pious", are said to be the progenitors of the three smaller branches. The branches are as follows: the Nesvizh line; the older Kletsk line; the ...
16 de sept. de 2023 · Genealogy for prince Mikolay Kristoph "the Orphan" Radziwill (1549 - 1616) family tree on Geni, with over 250 million profiles of ancestors and living relatives.
Mikołaj Krzysztof Radziwiłł (4 February 1515 – 28 May 1565), nicknamed the Black ( Polish: Czarny ), was a Lithuanian [2] and Polish noble who held several administrative positions within the Grand Duchy of Lithuania, including the Voivode of Vilnius, Grand Lithuanian Chancellor, and the Grand Hetman of Lithuania.
Prince Mikołaj Krzysztof Radziwiłł [n 1] (1549 – 1616), better known in English the anglicized form Nicholas Christopher Radziwil or Radziwill [1] and nicknamed "the Orphan", was a Polish-Lithuanian nobleman , Ordynat of Nieśwież from 1586, Court Marshal of Lithuania from 1569, Grand Marshal of Lithuania from 1579, castellan of Trakai ...
Published in Print: 2024-04-25. This article focuses on the meeting between Mikołaj Krzysztof Radziwiłł “the Orphan” (1549–1616), powerful magnate from the Grand Duchy of Lithuania, and Pope Pius V (1504–1572), its inclusion in the pope’s first biography, and its influence on his hagiography.
29 de sept. de 2022 · iconography, theatre of human life, graphic art of the first half of the 17th century, Mikołaj Krzysztof “the Orphan” Radziwiłł, Theodoor Galle, Tomasz Makowski. Abstract. The print The Tree of Human Life ( Arbor Humanae Vitae) is distinguished by its size and rich textual and iconographic material.
