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Charles Rettew Sheeler Jr. (Filadelfia, Pensilvania, 16 de julio de 1883-Dobbs Ferry, Nueva York, 7 de mayo de 1965) [1] fue un pintor y fotógrafo estadounidense. Fue uno de los iniciadores del estilo pictórico precisionista , influyendo a artistas como Niles Spencer o Ralston Crawford . [ 2 ]
Charles Rettew Sheeler Jr. (Filadelfia, Pensilvania, 16 de julio de 1883-Dobbs Ferry, Nueva York, 7 de mayo de 1965) fue un pintor y fotógrafo estadounidense. Fue uno de los iniciadores del estilo pictórico precisionista , influyendo a artistas como Niles Spencer o Ralston Crawford.
- American
- Philadelphia, Pennsylvania, United States
Charles Sheeler (July 16, 1883 – May 7, 1965) was an American artist known for his Precisionist paintings, commercial photography, and the 1921 avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art .
Sheeler worked for the Metropolitan Museum’s Department of Publications from 1942 to 1945, photographing a wide range of works from the collection, including Assyrian reliefs ( 1982.1188.4 ), classical Greek and Roman sculpture, European painting, and Chinese objects.
Charles Sheeler (July 16, 1883 – May 7, 1965) was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
El pintor estadounidense Charles Sheeler estuvo adscrito a la estética del precisionismo. Este movimiento norteamericano, que se centraba en temas urbanos e industriales, fue definido por el propio Sheeler con las siguientes palabras: «En estas pinturas trato de reducir las formas naturales a sus fronteras abstractas, reteniendo sólo ...
8 de abr. de 2024 · Charles Sheeler was an American painter who is best known for his precise renderings of industrial forms in which abstract, formal qualities were emphasized. Sheeler studied at the School of Industrial Art in Philadelphia and then at the Pennsylvania Academy of Fine Arts. He contributed six.
