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  1. Kenneth Noland (Asheville, 10 de abril de 1924 - 5 de enero de 2010) [1] fue un pintor abstracto estadounidense, uno de los más importantes cultivadores del estilo color field. También, en los años cincuenta practicó el expresionismo abstracto y en los sesenta el minimalismo .

  2. Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter.

  3. Kenneth Noland (Asheville, 10 de abril de 1924 - 5 de enero de 2010) fue un pintor abstracto estadounidense, uno de los más importantes cultivadores del estilo color field. También, en los años cincuenta practicó el expresionismo abstracto y en los sesenta el minimalismo .

    • American
    • Ashville, United States
  4. www.artnet.com › artists › kenneth-nolandKenneth Noland | Artnet

    Kenneth Noland was a leading American Color Field painter. View Kenneth Noland’s 1,428 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

    • American
    • Kenneth Noland1
    • Kenneth Noland2
    • Kenneth Noland3
    • Kenneth Noland4
  5. Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter.

  6. 5 de ene. de 2010 · Kenneth Noland. American Painter. Born: April 10, 1924 - Asheville, North Carolina. Died: January 5, 2010 - Port Clyde, Maine. Movements and Styles: Color Field Painting. , Post-Painterly Abstraction. , Washington Color School. , Abstract Art. "I think of painting without subject matter as music without words." 1 of 6. Summary of Kenneth Noland.

  7. 6 de abr. de 2024 · Kenneth Noland was an American painter of the Abstract Expressionist school. He was one of the first to use the technique of staining the canvas with thinned paints and of deploying his colours in concentric rings and parallels, shaped and proportioned in relation to the shape of the canvas.

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