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The following is a list of compositions by Russian composer Mily Balakirev. All are for solo piano unless otherwise indicated below. Works with opus numbers. Piano Concerto No. 1 in F ♯ minor, Op. 1 (1855–1856) String quartet, Op. 2 (unfinished) Octet, Op. 3 (1855-56) Grande Fantasie on Russian Folk Songs, Op. 4, for piano and orchestra (1852)
Often, the musical ideas normally associated with Rimsky-Korsakov or Borodin originated in Balakirev's compositions, which Balakirev played at informal gatherings of The Five. However, his slow pace in completing works for the public deprived him of credit for his inventiveness, and pieces that would have enjoyed success had they been completed in the 1860s and 1870s made a much smaller impact.
Tamara is a symphonic poem by Mily Balakirev, written in 1882. The basis was the ballad of the same name by Mikhail Lermontov , Tamara ("In the deep gully of Dariala..."), [1] written by the poet around 1837 under the impression of the old Georgian legend apparently heard in the Caucasus as a fantastic depiction of the Queen Tamar of ...
Browse the complete list of music pieces composed by Mily Balakirev. Musopen. Free music and sheet music. ... Mily Balakirev. Pieces; Concerto. Piano Concerto No.1, Op.1;
Mily Balakirev was a Russian composer of orchestral music, piano music, and songs. He was a dynamic leader of the Russian nationalist group of composers of his era. Balakirev received his early musical education from his mother. He also studied with Alexander Dubuque and with Karl Eisrich, music.
- The Editors of Encyclopaedia Britannica
Mily Alexeyevich Balakirev ( Russian: Милий Алексеевич Балакирев, Milij Alekseevič Balakirev) (January 2, 1837 – May 29, 1910) was a Russian composer. He is better known today for bringing together the composers known as The Five than for his own music, with the exception of his Islamey: an Oriental Fantasy, which is still popular among pianists.
A central figure in the early nationalistic movement of Russian music, Mily Balakirev was an inspiration to the group of composers—known as The Five—at which he was the center. His efforts and support lifted several of these young amateur composers out of obscurity and to heights greater than his own. As a composer himself, however, he was ...
