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  1. en.wikipedia.org › wiki › Pat_IrwinPat Irwin - Wikipedia

    Pat Irwin (born May 17, 1955) is an American composer and musician who was a founding member of two bands that grew out of New York City's No Wave scene in the late 1970s, the Raybeats and 8-Eyed Spy.

  2. Patrick Aloysius "Pat" Ewing Sr. (Kingston, Jamaica; 5 de agosto de 1962) es un exjugador y entrenador de baloncesto jamaicano, nacionalizado estadounidense, que disputó 17 temporadas en la NBA. Con 2,13 metros de altura jugaba de pívot. Nació en Jamaica pero a los 12 años se trasladó con su familia a los Estados Unidos.

  3. Pat Irwin, a veteran of many bands, including the New York-based instrumental group the Raybeats, and a side gig, the B-52s, spent five years as a music director on the series. Leading a six-piece combo on keyboard and guitar, Irwin brought together musicians such as trombonist Art Baron , drummer Kevin Norton , [35] wind player Rob ...

  4. www.imdb.com › name › nm0410436Pat Irwin - IMDb

    Pat Irwin. Composer: Dexter: New Blood. Pat Irwin has spent over 4 decades pushing the boundaries of popular music with his soundtracks for some of the most recognized and popular shows in television, including, Dexter: New Blood, Nurse Jackie, Bored To Death, and scores for animation including, Rocko's Modern Life, Pepper Ann, Class of 3000 ...

    • Composer, Music Department, Actor
    • Pat Irwin
  5. Pat Irwin has been living in and making music in New York City since the late 1970’s. He writes music for film and television and recently composed the score for Dexter: New Blood which premiered on the Showtime Network on November, 2021 and became the most watched show in Showtime history.

  6. 21 de abr. de 2022 · Pat Irwin was a member of the B-52s from 1989-2008, a founding member of the Raybeats and Eight-Eyed Spy and composer for numerous independent films, t.v., and cartoons. Irwin began to write film scores in the 1990s.

  7. Patrick Irwin (* 17. Mai 1955) ist ein US-amerikanischer Komponist und Musiker. Irwin besuchte bis 1977 die Tisch School of the Arts. Als Empfänger eines Thomas-J.-Watson-Stipendiums ging er dann nach Paris, um über dorthin ausgewanderte amerikanische Jazzmusiker zu schreiben.