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  1. John Arthur Lanchbery OBE (15 May 1923 – 27 February 2003) was an English-Australian composer and conductor, famous for his ballet arrangements. He served as the Principal Conductor of the Royal Ballet from 1959 to 1972, Principal Conductor of the Australian Ballet from 1972 to 1977, and Musical Director of the American Ballet ...

  2. John Arthur Lanchbery OBE (* 15. Mai 1923 in London; † 27. Februar 2003 in Melbourne, Australien) war ein englischer, später auch australischer Dirigent und Komponist, der vor allem für seine Ballett-Kompositionen bekannt ist. Inhaltsverzeichnis. 1 Leben. 2 Werke (Auswahl) 3 Aufnahmen. 4 Einzelnachweise. Leben.

  3. Hace 1 día · Biography. English conductor and composer John Lanchbery (1923–2003) was Music Director of The Royal Ballet 1960–72. During his tenure he arranged numerous scores for the Company, including Frederick Ashton’s La Fille mal gardée (1960), The Dream (1964), Monotones (1966), A Month in the Country (1976) and Tales of Beatrix Potter (1971 ...

  4. Cuando las partes orquestales fueron redescubiertas en 1959 por el historiador de ballet y musicólogo Ivor Guest y el director de orquesta John Lanchbery, se descubrió que estaban cubiertas de comentarios que iban desde lo ingenioso hasta lo crudo.

  5. BIOGRAFÍA. John Lanchbery nació en Londres en 1923. Comenzó a tomar violín lecciones y componiendo música cuando sólo tenía ocho años. Recibió una beca para estudiar en la Royal Academy of Music, pero tuvo que posponerlo hasta el final de la Segunda Guerra Mundial.

  6. The Dream is a one-act ballet adapted from Shakespeare's A Midsummer Night's Dream, with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's Images of Love and Robert ...

  7. La Fille mal gardée – excerpts, John Lanchbery conducting the Orchestra of the Royal Opera House, Covent Garden. These excerpts from Lanchbery's 1960 adaptation of Hérold's 1828 score, recorded in February and March 1962, have regularly been reissued and frequently been praised by reviewers for the exceptional sound quality. [5]